I read recently that nature artist and designer, Paul Cocksedge created a new piece of art, now on view inside Liverpool Cathedral. As is the case with so much of his work, it is based on natural materials and in this instance, provides a commentary on the world’s fossil fuel dependence. Cocksedge has arranged 2000 pieces of coal, weighing a half-ton, into a sphere. The amount of coal used is apparently equal to the amount needed to keep a 200W light bulb illuminated for a year.
After looking at the images, I realized it created the illusion of a chandelier. He has arranged downlights around the piece to reflect the luminous surface of the type of coal he used, anthracite. This look is every bit as engaging as crystal and gold.
This got me thinking. Why do luminaire manufacturers stay with the same materials? Brass, glass, steel, aluminum and some resins are pretty much the pallet from which they work. Occasionally, we see alabaster being used. Mica has had a place in mission style lanterns. Corten® steel is occasionally employed. Lead crystal and now optical crystal have gone in and out of fashion. The same can be said for wood. Could we think farther outside of the material box?
Anthracite really does deliver a beautiful look. Where could we unearth the next material that provides the same unexpected result? Would formed, thin wall concrete allow for simple shapes to be created? I’ve just read about a new translucent concrete used for lighted park benches. Is there wider application?
A couple of years ago, dichromatic glass became popular with artists and craftspeople. You couldn’t toss a hammer in a summer arts fair without hitting a booth employing this material. I wonder why it did not translate to lighting. Just prior to that, the same could be said of hematite. Its lustrous black finish would probably work today as we enjoy continued use of matte black in so much home fashion.
I remember an early trip to the Philippines where artisans were fabricating fossil stone (Mactan) into lamp parts. It was exciting to see something new being tried. It had a nice run for five or six years. Capiz Shells, made from the windowpane oyster, likewise could be found “everywhere” for almost a decade.
I’m waiting for the next new material. What could it be? When will it arrive? How will it get here? If you’re trying to determine “what’s next” like me, look to artists and artisans, find out what they are creating and how they are making new things. Understand the medium they use. Seek out those that are striking a new path.
Perhaps this is the reason societies have artists. They are trained to look at thing differently. That different outlook can lead to materials that will find their way into every-day products…and perhaps, lighting.
Gordon E. Moore, a giant behind the silicone computer chip, but perhaps better known for his conceptual predictions of growth trends known as “Moore’s Law” died last week. If you’re unfamiliar, he observed that the number of transistors in an integrated circuit double every two years. As this overarching observation turned into reality, he further added two corollaries. Evolving technology would make computers more and more expensive to build, but consumers would pay less and less for them because so many would be sold.
The rise of LED followed a very similar path of better and better output and lower and lower costs.
In his New York Time obituary, they indicated that the end of viability for Moore’s Law was imminent. Recently, similar predictions have been made about LED. With efficacy in the 200 lumens per watt range, only incremental improvements have occurred lately. The plateau we all expected is here. The LED version of Moore’s Law has come to a close.
Both silicone chips and LED diodes are the result of creative engineers pushing the edges of their respective specialties. No doubt, gathering momentum and strength from the successes of the other.
I have recently listened to two extended interviews with music producer, Rick Rubin. He is promoting his recent book, The Creative Act: A Way of Being, about the creative process. He is a fascinating voice and yet another book has been added to my growing list. If you don’t know Rubin’s work, listen to the Johnny Cash “American Recordings” They are quintessential examples of a career coda. A summation of a hard scrabbled life by an outlaw musician coming to terms with his mortality and his faith. The reason Cash was able to create these masterpieces was Rubin.
In his book, Rubin postulates that creative people build their work on the shoulders of other creative work. He rejects the idea that creatives should ignore other creatives. Seeing other good work does not mean it will be mimicked or reproduced into yours. Instead, creativity inspires creativity and the unique skill of one only heightens the output of another.
With that in mind, I like to imagine that the creative minds that transformed the lighting industry were looking across the imaginary Silicon Valley and upon seeing their success, were motivated to work harder and better resulting in the lighting we know, today. Creativity begat creativity. Thanks Mr. Moore for better lighting.
Let’s call out the parade! We won. LED is now the official light source of the world. We’ve saved lots of money. Energy use is down. Wo-Hoo! We’re done!
Or, perhaps, we are not. If you’ve noticed a lull in new lighting product innovation you’re not mistaken. I believe however, it would be wrong to assume this to be a permanent state. Instead, we need to keep our eyes open for the next innovation that will rock the lighting world.
Advances in Integration
Over a decade ago, the “Lighting For Tomorrow” competition instigated new and exciting energy efficient products into the market. Initially, products were created to prove that fluorescent didn’t need to be ugly, but LED appeared quickly thereafter and the whole landscape changed. Because we are fully enmeshed in the use of LED, that competition has been abandoned in favor of the “Integrated Home Competition.” By seamlessly linking HVAC, controls and lighting, the next level of energy savings might be met. Finding a system that is easy to use and requires minimal education for the consumer can take us to the next level of energy savings.
Perhaps you noticed the news that Canada and a few states in America are considering a ban on HID, high-pressure sodium and Metal Halide lighting. The US got rid of Mercury Vapor a number of years ago. There is also a growing band of government entities who have already ended, or are in the process of ending, the use of fluorescent. LED is now the only real game in town. I have even seen OLEDs on a list of possible elimination in Europe because of its lack of efficacy. Ultimately, this means that the desire for increased energy efficiency has NOT disappeared.
Most industry experts and utility concerns understand that the next generation of energy savings will come from more effectively applied controls. Occupancy sensors, motion sensors, zoned lighting controls and a more generous collection of dimmers will all result in reduced lighting power demand. This may seem awfully incremental, but a study done by Pacific Gas & Electric in 2013 on an Ace Hardware Warehouse illustrated the impact controls could achieve.
The original fluorescent and HID lighting was swapped for, at the time, “new” LED luminaires. That move reduced energy consumption to 80% of original. By adding, dimming, daylight sensitive switches, occupancy controls, course zoning and fine zoning controls, the end result brought energy consumption to an incredibly low 7% (a 93% reduction of energy) of the baseline! If even a portion of that can be achieved in a residence, it must be considered a win.
The scientist at the University of Massachusetts, Amherst have created a biofilm that sticks to the skin and creates electricity from sweat. They imagine it to be used for all types of electronic wearables and electronic health devices. Combining this invention with the recently discovered need to have light delivered to our bodies in various angles and directions and the whole concept of how we use light and how it is powered might be upended.
The researchers further believe that additional energy could be extracted from the naturally occurring process of evaporation. Apparently, half of the sun’s energy is lost in its transition to the earth. They believe they can capture some of that loss and turn it back into a usable resource. Yes, I know. This is wild. It seems so odd that we could extract energy from sweat and evaporation, but back in 1917 the concept of electroluminescence from solid-state diodes led us to LED today. With that as a baseline, almost anything is possible.
Small…Finally!
I have been saying for years that I didn’t understand why integrated LED recessed cans have maintained their 6” size. There is no reason for such a large hole in the ceiling now that diodes are delivering illumination. At the very least, I assumed the industry would swap to 4” as more of a standard. A number of smaller pieces have shown up on the market, but their output have been closer to recessed MR16 performance than the larger units.
Imagine my delight when I found the new CSL Whisper. This is a trimless ½” diameter recessed downlight. Checking out the specifications, it looks like the 50° optics deliver excellent light amounts. (A center-beam candle power of 1398.) While no recessed light placement is “rule-of-thumb,” numbers like this should work great in 10’-0” ceiling heights. A tighter 30° beam angle will be effective in tall locations or in areas with lower reflectance. Because of the extremely small size, glare should be very low. Checking out the installation instructions, it shows a very simple task. Clearly easier than installing that huge metal box in the plenum. This appears to be exactly what I had hoped would happen once some smart engineers started to think outside the 6” can. I have not yet seen the unit installed, but I sure am encouraged!
Perhaps these aren’t the paradigm shift we experienced with LED, but they do continue advanced movement and fresh thinking. It also suggests that lighting will not fall into another 130-year incandescent rut. We will, however need to expand our concept of light and energy savings to include some advances. Controls, sweat and ultra-tiny luminaires will make our exit from existing technologies easier. It also bodes well for a more planet-friendly, sustainable future. We should all feel good about that.
Ceiling semi-flush lighting has been reasonably popular. Coming into heightened demand when builders started to increase ceiling heights around fifteen years ago, these have been an easy way to bring the lighting deeper into the room and deliver more illuminance for a reasonable price. Flip through a couple dozen luminaire catalogs and you will see scores of units in the 13” to 15” size. They have become somewhat ubiquitous to the industry.
I’ve always wanted more from a semi-flush luminaire. If sized appropriately, these could grow into a much more aesthetically desirable option. A 13” diameter is fine when running down a hallway or filling a pantry, but why can’t a grand-sized semi flush take center stage? My vision was piqued at the January Lightovations show when I saw a healthy 22” piece offered. (Image below.) Now here was a semi-flush that demanded respect. It had come to play with the big boys.
Eurofase – Jalore Semi-Flush 22″ diameter – Introduced January 2023
This piece was perfect for a single story foyer. I wanted it to also command a smaller dining room. Simply employing a semi-flush lighting fixture in these key spaces would set them apart, force attention and demand reckoning.
But wait! There’s more! How about three or five of them in a pattern over a larger dining room? If a second size was available, think about varying sizes AND elevations dotting the ceiling! If no added sizes are offered, could a larger chandelier size be hung with little or no chain or stem and achieve a similar look? Wow! My head was spinning with ideas.
I thought my fever dream of semi-flush lighting was singular. I was singing solo in the Mohave. “Table for one, please!” Then, the new issue of Architectural Digest arrived. (Crowning Glory – February 2023) In a home designed for a couple of worldly software engineers/investors the Interior Design firm, The Archers placed a goliath semi-flush light/sculpture over their 10-seat dining room table. “Alas, I am not alone!”
Nacho Carbonell’s oversized semi-flush
This piece was designed by Spanish designer, Nacho Carbonell https://www.nachocarbonell.com/ and introduces us to a place where centerpiece lighting is destine, a position that straddles art and luminaires. As we use fewer decorative pieces and more functional lighting to answer multiple demands, such as sustainability, functional light will carry the bulk of the luminance weight, while centerpiece lighting will provide a glow and an aesthetic punch to the space. His work does that and in this instance, it forgoes the expectation of a chandelier and affixes the light, tight to the ceiling. It will be hard for me to forget the look created here.
A Few Asks
To join me in this requests, let’s all row together in the same direction.
Manufacturers, how about a few more oversized semi-flush pieces? If that isn’t feasible, how about an occasional application photo where a large chandelier is hung tight to the ceiling as an alternative to “every other set-shot in the world” where the chandelier is located at the prescribed 30” from the tabletop.
Designers, let’s step off the green and into the rough. Suggest a showpiece worthy, semi-flush luminaire as a way to create a unique look. Remember too, most large chandeliers and pendants CAN easily be hung close to the ceiling. Be sure to select a piece wisely, some will not adapt to this position, others may not look “right.” Those that do can excel in this alternate configuration. Think differently as you plan a space.
Consumers, you don’t need to hang a chandelier in a dining room! There is no such thing as The Lighting Police…yet. (I would however like a position of authority when it is established!) If your friendly neighborhood lighting salesperson suggests a semi-flush, don’t lift your nose in disgust. Relax and say, “Yes!” Your visiting friends and family will be envious! You’ll be the talk of your posse. It is, after all, a semi-flush world.
When my wife and I were first married back in the Paleolithic Age, we rented half of a duplex in Shaker Heights, OH. To turn on the light that illuminated the pantry area of the kitchen, you had to slide your hand sideways between the wall and the refrigerator side. The switch was located unusually high on the wall surface and access was only achieved via fingertips. Clearly, not the best placement, but in a century old home, light switches were often placed in peculiar, inconsistent spots.
I recalled this after publishing my last blog on sconce use. A friend dropped me a note after reading my comments about using them in bedrooms, rather than bed lamps. He didn’t mind the idea, but has always felt the switches are placed in inconvenient locations, requiring the skills of a contortionist to activate or reenergize the lighting from a lying position.
He is right. As designers we must design good lighting that performs well and functions in accordance with need. Part of that functionality is adequate access to switching. As a designer, do you plan the switch placement? Do you actively discuss switch placement and preference with clients? If not, you should.
In the midst of thinking about my friend’s input, I went to see the movie, “Living.” Aside from the incredible performance by Bill Nighy, I took note of the alternate light switch placement represented in English homes of the 1950s. English light switches are substantially higher up the wall than a typical North American home. As the actors moved through the movie, they effortlessly and with little conscious thought, engaged the controls. Regardless of who we are in the world, we must interact with lighting with the least amount of effort. That occurs when designers think about it first.
Switches? We Don’t Need No Stinking Switches!
Considering lighting controls moving into the future, it might actually be less of an issue. As home automation increases, I’m not really seeing a long-term need for wall-mounted controls and all of the extra wiring needed to connect them. Were I “Carnac the Magnificent” (look it up) I’d suggest the answer to, “Reduced new home construction, energy savings and increased convenience,” is, “Why will there be no more light switches in new homes?”
Think about it. A small module is connected in the outlet box between the house wires and the luminaire. It is assigned a digital name and voice activation takes over from there. “Google, turn off bedside sconce left.” Diming instructions and even establishing an activation time can be programed into the module. Walking into a dark room will no longer be needed. Lights left on in unoccupied spaced will no longer waste electricity. They will shut off once everyone leaves the area. Seniors will no longer fall on their way to the bathroom (a huge concern for an aging population.) In the future I expect light switches to go the way of iPods, the Blackberry and Flip Cameras. Like all of these antiquated pieces of tech, they will be replaced with your smart phone.
Until Then
Admittedly, switches still have a few more years of use and some people will nostalgically demand their use, despite their upcoming impotence. While we wait for the next trolley, think about switch placement:
Where is the best location for placement?
In a bank of switches, which switch is first, second and third, etc.?
Will standard height placement work, or should this particular switch be located in a different spot for better function?
Do I want or need a dimmer here?
Will the addition of a motion activated switch or an occupancy sensor switch improve function, user experience or performance here?
A few questions and the sound thoughts all good designers and engineers put into product application and the user will never think about it. That is, after all, the goal of every good designer and product engineer, effortless uncomplicated use.
Hinkley – Reign pendant configured to hang as a sconce
I don’t think we use enough sconces in residential lighting. Sure, most manufacturers present sconces. At the just completed, Lightovations lighting show in Dallas, I saw a few exciting sconces that I would love to see used, but my deep seated fear is that they will be considered by interior designers and ignored by everyone else. That said, this is my plea to keep sconces top of mind.
Foyers
Here’s an idea I love. Forget the foyer chandelier and use a collection of tall sconces positioned around the perimeter of the space. Of course, the architecture must be compliant. When it is, this can be a great alternative, especially when the foyer is single-story.
Perhaps you are not inclined to forgo the chandelier in a two-story space. Consider this. Use a smaller diameter foyer pendant or narrow and long chandelier and add a few sconces. This will add a layer of light variation that will supply depth and interest to the room.
Bathroom/Vanity
Sometimes I feel like a one-man band reminding people that the best bathroom lighting is a sconce on each side of the mirror rather than one long piece, over the top. Every expert and almost every book written about lighting tells us this, but the economics of one outlet box vs. two is too powerful. Over mirror lighting is unflattering and is so laden with glare, it is considered the most egregious luminaire for senior eyes in the entire house. So I’ll say one more time with feeling, “Use sconces on each side of the bathroom mirror used for personal grooming. Your eyes and make-up will thank you.”
Halls
Most hallways are now illuminated with a string of recessed cans down the center. There is nothing wrong with this, but it is predictable and somewhat boring. To elevate these pedestrian areas, why not consider using sconces instead?
Great Rooms
Recessed can lighting, 22’-0” overhead in a two-story Great Room is very close to being useless. The light is so far overhead, the amount of measureable light is minimal. Nonetheless, light is very important in these communal areas. Floor and table lamps are crucial, but sconces can add a layer of light that serves two purposes. The light, closer to the user become functional, unlike the faraway cans. On a massive 20’-0” to 24’-0” wall surface, the space can be humanized and brought into better perspective. The room takes on a more intimate appearance. Forget the light kit on the overheard ceiling fan and the useless recessed cans in a two-story Great Room and replace them with sconces.
Bedroom
Forget the bed lamps. Use a sconce on each side of the bed with an individual control switch. Using a sconce rather than a lamp will save tabletop space and can be very effective in smaller rooms.
Kitchens
As some designers have eliminated upper cabinets in kitchens, the light needed on countertop surfaces must be provided by something other than under cabinet lighting. Sconces are a natural option. They also add an element of design to the now blank walls.
Size
When ceiling heights were typically 8’-0”, 8” to 12” sconces were common. With 9’-0” ceilings now common and 12’-0” readily found, sconces must be taller, lest they appear puny and out of scale with the home. Seek out taller pieces. Forget anything under 18”. In multi-story foyers or great rooms, even taller units should be used.
Alora Lighting – Akoyo linear “string” has been configured in some applications running down the face of a tall wall in lieu of a sconce.
While many 24”, 36″ and 48” linear sconces are now available, recently, I have seen some exciting “string” products that can be installed like a sconce. Think of a string of pearls. Both ends use a type of canopy to connect to a surface. If one end is installed, say, 3’-0” from the next, a beautiful drape can be created. One end on a ceiling or wall can create a type of sconce that drives down a long wall surface. Some manufacturers are using plain white balls, others crystal baubles. Regardless, this is a wonderful option to create interest on wall surfaces.
Convinced Yet?
Please don’t let me sing this song alone! Sconces are a meaningful way to add light to many spaces in a home. Let’s all do our part to make sconce a more meaningful way to light residences.
Fashion has always been one of the four factors I’ve used to determine the direction of residential lighting trends. Admittedly, it is relegated to tertiary importance. Architecture, Related Home Furnishings (furniture, accessories and appliances) and Socioeconomic Direction are of course, much more relevant. It has however signaled direction, reflection, outlook, color and a score of other subtle guideposts that I have considered.
Balenciaga – Fall 2022 New York
Over the last few years, I have struggled to find the signs that fashion of the past provided. Even major houses such as Balenciaga and Givenchy now show elements of “streetwear” as haute couture. When designers do attempt creativity, it often arrives in an undefined and unable to relate exaggeration. (The pictured Balenciaga’s black-rubber suiting for example.) Few clues can be unearthed as to how that will provide influence to the home, unless the owner has some predetermined kink! Perhaps the faceless tech takeover of our lives is, in reverse, impacting fashion?
The most recent (Fall 2022) New York fashion week was by all accounts, a snooze-fest. Sure, the black rubber suit was fun, but little else was of interest or value (to me.) More paper thin dresses, exaggerated headwear/footwear and lots of casual. We could argue that the casual trend has resulted in homes and home décor that is equally relaxed, but that gets us only so far. “Street” has not resulted in ramshackle homes in deference to the torn, frayed and undersized/oversized jeans that continually show up on the runway.
Do I Switch to Only Three Factors in My Formulation of Upcoming Trends?
While many (most?) of us can never imagine ourselves pulling off haute couture, fashion of the past provided at least a modicum of connection to the real world. Now fashion has been usurped by an elite that does not connect to the collective “us.” The gap between couture and homeowners widens with each Milan season.
Neither my wife or I are trained in art, we have however spent a lot of time studying and viewing creative art. My wife commented on a recent show at MOCA Cleveland, “This art is created for other artists. Unless conversant in the minutia of contemporary art, most people will have a limited ability to appreciate and understand the pieces.” It is easy to see her point. Art, like fashion is more difficult to comprehend, especially as it becomes more conceptual. We live in a real world. Homes are not conceptual, or are they?
Frank Gehry and his patron, Peter B Lewis spent ten years and millions of dollars conceiving a home for businessman Lewis that was ultimately never built. In a conversational lecture I attended with the two, both expressed satisfaction with the project. Both “got what they wanted” from the exercise. For most people, a multi-million dollar, unbuilt home is not the end result expected when commissioning an architect. For the rarified few, conceptual can be enough.
Has fashion moved to a point of exclusion so advanced that it cannot be relative or of influence to products that will be used in homes and residences? The Met Gala and its ilk is of value to so few people I feel we are very close to that point.
So What Do I Do?
There are some overriding threads gleaned from recent fashion that do provide a glimpse from which I might draw some thoughts.
There are some post-streetwear rejections peeking for daylight. Is it possible that we might elevate our fashion game and dress-up again? It happened before. The Disco Era followed the Hippie Era and women turned to frilly dresses and men donned suits, albeit leisure, again.
There is a more fluid nature to color and patterns. Floral prints are used on menswear and herringbone suiting fabrics are showing up in dresses and blouses.
Clothes are simply becoming more and more asexual. With larger percentages of young people identifying as non-binary, options beyond non-sexual jeans make sense.
Could these mean we will see more formal homes in the future? Will there be more experimentation with color? Is there life after beige neutrals? Does a non-binary population relate to more flex spaces in a residence?
In short, I don’t know…yet. For the foreseeable future, I’ll continue to read about the assorted seasonal collections, watch the runway recaps on YouTube and file the photos I see for the next season in my mind’s hard drive. With enough information over an extended period of time, the relevance will become clearer and clearer…hopefully.
I recently read that Germicidal UV Lighting (GUV) has not produced the sales manufacturers had expected. The amount of available products has quickly plummeted and there is some thought that with the retreat of COVID, people are no longer worrying about airborne particulates and how to protect their family. With the pushback against common-sense vaccines, even in the face of overwhelming scientific evidence, it might not be surprising. Still, the use of light to help combat germs and viruses remains in play. The method of delivery might shift and change as new ideas arise and research becomes more pointed.
Using UV is nothing new. The sun is often considered the ultimate cure-all and of course, it delivers plenty of light in the UV spectrum. In the 1920s, capitalizing on this understanding, Vi-Rex devices were sold to plenty of vulnerable people based on their promise that the electric shocks of UV would make one, “vital, compelling and magnetic.” I’m hoping that was figuratively magnetic, not literal. SAD lights provide a blast of bright UV-filled light for those who are effected by Seasonal Affective Disorder. This more current application is an equally suspicious solution. Does it really work, or is this the 2020s version of wearing a copper bracelet to cure arthritis?
Essentially, viruses are vulnerable to light in certain areas of the electromagnetic spectrum. By adding that type of light to typical luminaires, we can include an effective germ cleanser. The problem is us. Humans have negative reactions to light in this area of the spectrum. When we stay in the sun too long, our skin becomes sunburnt. This is one, very simple, easy to understand reaction to UV. Science-fiction movies remind us of the many other harmful effects of UV and infrared light. Specific spectrum can be VERY damaging. Some areas are deemed safe, but I still read research papers where the exact specifics of “safe” wavelengths is debated. For that reason, care must be employed when considering this option.
I however remain bullish on GUV. The science is still young, but the results are narrowing toward some very specific results. I expect better scientific direction to arrive soon. Coupled with the constant increase in immune resistant antibiotic bacteria (basically, bacteria and fungi that have developed an ability to defeat the drugs designed to kill them) it appears to me that use is inevitable.
As we enter this New Year to growing reports of increases in childhood hospitalization due to viral infections, added help will be required. If GUV employing better research results can help, we should all be receptive. If the germs can improve their defense against antibiotics, then humans should happily add light to their side of the battlefield. In doing so, we must use them knowingly and with greater and greater understanding of the direction of use provided by carefully derived research.
About twenty-five years ago my wife and I started to collect blow-mold lighted snowmen. We bought them at garage sales and end-of-season closeout sales. Before long, friends would call from their own estate sales adventures and ask, “There’s a 4’-0” snowman here. Do you want it?”
In the previous house, we arranged them on the porch in a chorus. When we moved to the current porch-less home, we set them in the flowerbed alongside the front path. On the porch, they were pretty well protected, but in the newer house, they became fodder for vandals. A 10’-0” blow-up snowman, compliments of another garage sale attending friend was dragged across the lawn before the “genius” teen-vandals realized it was tethered to the ground and the heavy blower unit had torn a hole in the sagging white giant’s base. It lay on the sidewalk, exhausted and deflated. No more holiday greetings for this guy.
The last time I set them up, a year ago, another collection of vandals decided it would be fun to knock over the chorus, bowling pin-like. When they fell, of course, some of the incandescent lamps broke.
After the vandals, some of the lighted snowmen were not as illuminating as before! Incandescent filaments are very sensitive.
So why this tale of snowmen and vandals in a lighting blog? The last sentence. “…some of the incandescent lamps broke.” They broke, because of impact. Had I placed LED lamping in the snowmen, it is likely my repair task would have been easier. Stand them back up and I would have been back inside with a hot cup of cocoa ten minutes later. Instead, I had to open them all and replace all of the lamps…and it was COLD! LED are much more resilient to vibration and impact. The fragile filament could not handle being thrashed to the ground. LED, like the blow mold snowmen themselves bounce back, unharmed.
There is another reason to consider using LED lamping in your lightened holiday menagerie. Heat. I was reminded of this by a friend when he began setting up his holiday decorations. Most of these items came equipped with a very low wattage maximum. The large 4’-6” snowmen have labels warning against anything over 40-watts of incandescent light. That warning is not there for illumination maximization, but instead, because of heat. If too much heat was generated, the plastic snowman, might begin to look like the blow-up version the kids destroyed a few years back, all melted into a puddle, or at the very least deformed in some way.
A 40-watt incandescent lamp delivers 450 lumens of light, but creates a fair amount of heat at the same time. Because the LED lamps create a fraction of the heat, increasing the lumen output is now possible. My friend called because his decorations appeared “dark and gloomy.’ He wondered if he could increase the lumen amount to brighten them by switching to LED. A jump to 800 lumens (a 60 watt incandescent equivalent) consumes about 11 watts of power and will be cooler than the 40 watt incandescent, despite an almost doubling of light output.
This year, as you bring the holiday décor down from the attic, remember that re-lamping with LED will save you some money on electricity, but it also could invigorate your gloomy lighted treasures and make them that much more festive.
To everyone, have a great, well-lit holiday season and stay tuned for more tips and information on lighting, from your friendly neighborhood lighting geek, as we move into 2023!
The first time I attended BDNY I found it a waste of time. It was small and there was very little of value to draw me back. I never went again. Jump ahead to a post-pandemic world and one of my favorite shows, the International Contemporary Furniture Fair (ICFF) combined with BDNY in 2021 to put on a better-than-expected presentation. The subsequent solo ICFF, earlier this year, was a bit of a letdown which led me to wonder if BDNY had become a more valuable asset. I decided to attend the solo BDNY and while not as powerful as the combined 2021 effort, it was worth the trip.
A similar thing occurred at the first LightFair I attended. A few years later, Energy Efficiency and LED jumped into the public conscience and the industry enjoyed a decade of relevant, informative and engaging shows. Now, with LED aging into “old news” the value of the show is shrinking.
My first KBIS was a revelation. I learned so much and experienced so many things, I could not wait for the next year. Unfortunately, the value has been reduced every year since. Whole categories of goods disappeared, major manufacturers dropped out and new products and ideas were eliminated for fear of being “knocked-off” by budget-priced competitors and trolling attendees with newfangled phone-cameras.
By contrast, the European shows have somehow been able to maintain their value. Shows are bigger and longer, spaces are not a collection of boilerplate “popup” displays that all look the same. New ideas have been shown consistently and the staff has remained at a high professional level (Suits and dresses [remember them?] are worn, a very minimal amount of faces are buried in mobile phones.) They remain attend-worthy and younger professionals as well as old vets are very much present, unlike the boomer-centric shows of America.
This is the perfect time to toss the whole concept in the air and allow the pieces to land in a newly configured way. I am aware that many groups derive much of their financial base from the shows they sponsor and are reluctant to change. Change, nonetheless will be required, because attendance is and will continue to dwindle. As the great actor, Yaphet Kotto says in the 1975 movie, “Sharks’ Treasure,” “Fifty percent of nothin’ is nothing, man!” They can continue to own all of a shrinking extant, or less of a growing alternative.
As the world attempts to recapture two years of lost trade shows, some major rethinking must be undertaken. When the International Builder’s Show (IBS) combined with the Kitchen & Bath Show (KBIS) they bought themselves an additional decade of relevance. I’m sure, even they are starting to consider where they head now. Huge pockets of their relevant industries are still missing from the combination. Are there other shows that can be corralled to present an even bigger bang? LightFair is moving to a biennial schedule, similar to many major European shows. This should make it more of an “event” and grab a few more people. That might help for a few years. It is time for BDNY, ICFF and perhaps a handful of other smaller shows (the un-resurrected ADHDS, NY Now?) to coalesce and present a show that creative professionals can really use. Continuing to deliver halfhearted efforts will result in a continuation of attendees forgoing them completely.
I know I have written about the need for trade show change before. I have no “dog in this fight” other than twenty-five years of experience. For years, I was paid to attend these shows and relate the observations. As I see less and less to report, attendance becomes less and less important. It is harder and harder for me to recommend attendance. Deep down inside, I want them to be better with continued relevance. The vibe in a room filled with creative people cannot be replicated online. Even with poor results, I still feel somewhat more energized when I return to work.
Perhaps, we are destine to watch these shows melt. The deck is stacked. The internet, online catalogs, online visual influencers, a “stay-at-home” pandemic, work from home employment and a new generation of workers with slight face-to-face socialization skills may be too overwhelming for this old-school concept to survive. We baby-boomers have only a few years or relevance left. If that is the case, I wonder what is next. I suspect we’ll all need to stay tuned.
Lighting by Jeffrey 