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Lighting Commentary

What’s Next For Lighting?

Let’s call out the parade! We won. LED is now the official light source of the world. We’ve saved lots of money. Energy use is down. Wo-Hoo! We’re done!

Photo by Vlad Vasnetsov on Pexels.com

Or, perhaps, we are not. If you’ve noticed a lull in new lighting product innovation you’re not mistaken. I believe however, it would be wrong to assume this to be a permanent state. Instead, we need to keep our eyes open for the next innovation that will rock the lighting world.

Advances in Integration

Over a decade ago, the “Lighting For Tomorrow” competition instigated new and exciting energy efficient products into the market. Initially, products were created to prove that fluorescent didn’t need to be ugly, but LED appeared quickly thereafter and the whole landscape changed. Because we are fully enmeshed in the use of LED, that competition has been abandoned in favor of the “Integrated Home Competition.” By seamlessly linking HVAC, controls and lighting, the next level of energy savings might be met. Finding a system that is easy to use and requires minimal education for the consumer can take us to the next level of energy savings.

https://www.integratedhome.org/

Cutting Bait on Existing Technology

Perhaps you noticed the news that Canada and a few states in America are considering a ban on HID, high-pressure sodium and Metal Halide lighting. The US got rid of Mercury Vapor a number of years ago. There is also a growing band of government entities who have already ended, or are in the process of ending, the use of fluorescent. LED is now the only real game in town. I have even seen OLEDs on a list of possible elimination in Europe because of its lack of efficacy. Ultimately, this means that the desire for increased energy efficiency has NOT disappeared.

Most industry experts and utility concerns understand that the next generation of energy savings will come from more effectively applied controls. Occupancy sensors, motion sensors, zoned lighting controls and a more generous collection of dimmers will all result in reduced lighting power demand. This may seem awfully incremental, but a study done by Pacific Gas & Electric in 2013 on an Ace Hardware Warehouse illustrated the impact controls could achieve.

The original fluorescent and HID lighting was swapped for, at the time, “new” LED luminaires. That move reduced energy consumption to 80% of original. By adding, dimming, daylight sensitive switches, occupancy controls, course zoning and fine zoning controls, the end result brought energy consumption to an incredibly low 7% (a 93% reduction of energy) of the baseline! If even a portion of that can be achieved in a residence, it must be considered a win.

You may read the entire PG&E report here: https://www.etcc-ca.com/sites/default/files/reports/ET12PGE3361%20LED%20High-Bay%20Lighting%20and%20Controls%20Assessment.pdf

Sweat Energy

The scientist at the University of Massachusetts, Amherst have created a biofilm that sticks to the skin and creates electricity from sweat. They imagine it to be used for all types of electronic wearables and electronic health devices. Combining this invention with the recently discovered need to have light delivered to our bodies in various angles and directions and the whole concept of how we use light and how it is powered might be upended.

The researchers further believe that additional energy could be extracted from the naturally occurring process of evaporation. Apparently, half of the sun’s energy is lost in its transition to the earth. They believe they can capture some of that loss and turn it back into a usable resource. Yes, I know. This is wild. It seems so odd that we could extract energy from sweat and evaporation, but back in 1917 the concept of electroluminescence from solid-state diodes led us to LED today. With that as a baseline, almost anything is possible.

Small…Finally!

I have been saying for years that I didn’t understand why integrated LED recessed cans have maintained their 6” size. There is no reason for such a large hole in the ceiling now that diodes are delivering illumination. At the very least, I assumed the industry would swap to 4” as more of a standard. A number of smaller pieces have shown up on the market, but their output have been closer to recessed MR16 performance than the larger units.

Imagine my delight when I found the new CSL Whisper. This is a trimless ½” diameter recessed downlight. Checking out the specifications, it looks like the 50° optics deliver excellent light amounts. (A center-beam candle power of 1398.) While no recessed light placement is “rule-of-thumb,” numbers like this should work great in 10’-0” ceiling heights. A tighter 30° beam angle will be effective in tall locations or in areas with lower reflectance. Because of the extremely small size, glare should be very low. Checking out the installation instructions, it shows a very simple task. Clearly easier than installing that huge metal box in the plenum. This appears to be exactly what I had hoped would happen once some smart engineers started to think outside the 6” can. I have not yet seen the unit installed, but I sure am encouraged!

https://csllighting.com/SystemDetail.dmx?itemnum=WS-IC-Sys

Change

Perhaps these aren’t the paradigm shift we experienced with LED, but they do continue advanced movement and fresh thinking. It also suggests that lighting will not fall into another 130-year incandescent rut. We will, however need to expand our concept of light and energy savings to include some advances. Controls, sweat and ultra-tiny luminaires will make our exit from existing technologies easier. It also bodes well for a more planet-friendly, sustainable future. We should all feel good about that.

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Aesthetic Lighting Help

It’s a Semi-Flush World, After All

Ceiling semi-flush lighting has been reasonably popular. Coming into heightened demand when builders started to increase ceiling heights around fifteen years ago, these have been an easy way to bring the lighting deeper into the room and deliver more illuminance for a reasonable price. Flip through a couple dozen luminaire catalogs and you will see scores of units in the 13” to 15” size. They have become somewhat ubiquitous to the industry.

I’ve always wanted more from a semi-flush luminaire. If sized appropriately, these could grow into a much more aesthetically desirable option. A 13” diameter is fine when running down a hallway or filling a pantry, but why can’t a grand-sized semi flush take center stage? My vision was piqued at the January Lightovations show when I saw a healthy 22” piece offered. (Image below.) Now here was a semi-flush that demanded respect. It had come to play with the big boys.

Eurofase – Jalore Semi-Flush 22″ diameter – Introduced January 2023

This piece was perfect for a single story foyer. I wanted it to also command a smaller dining room. Simply employing a semi-flush lighting fixture in these key spaces would set them apart, force attention and demand reckoning.

But wait! There’s more! How about three or five of them in a pattern over a larger dining room? If a second size was available, think about varying sizes AND elevations dotting the ceiling! If no added sizes are offered, could a larger chandelier size be hung with little or no chain or stem and achieve a similar look? Wow! My head was spinning with ideas.

I thought my fever dream of semi-flush lighting was singular. I was singing solo in the Mohave. “Table for one, please!” Then, the new issue of Architectural Digest arrived. (Crowning Glory – February 2023) In a home designed for a couple of worldly software engineers/investors the Interior Design firm, The Archers placed a goliath semi-flush light/sculpture over their 10-seat dining room table. “Alas, I am not alone!”

Nacho Carbonell’s oversized semi-flush

This piece was designed by Spanish designer, Nacho Carbonell https://www.nachocarbonell.com/ and introduces us to a place where centerpiece lighting is destine, a position that straddles art and luminaires. As we use fewer decorative pieces and more functional lighting to answer multiple demands, such as sustainability, functional light will carry the bulk of the luminance weight, while centerpiece lighting will provide a glow and an aesthetic punch to the space. His work does that and in this instance, it forgoes the expectation of a chandelier and affixes the light, tight to the ceiling. It will be hard for me to forget the look created here.

A Few Asks

To join me in this requests, let’s all row together in the same direction.

Manufacturers, how about a few more oversized semi-flush pieces? If that isn’t feasible, how about an occasional application photo where a large chandelier is hung tight to the ceiling as an alternative to “every other set-shot in the world” where the chandelier is located at the prescribed 30” from the tabletop.

Designers, let’s step off the green and into the rough. Suggest a showpiece worthy, semi-flush luminaire as a way to create a unique look. Remember too, most large chandeliers and pendants CAN easily be hung close to the ceiling. Be sure to select a piece wisely, some will not adapt to this position, others may not look “right.” Those that do can excel in this alternate configuration. Think differently as you plan a space.

Consumers, you don’t need to hang a chandelier in a dining room! There is no such thing as The Lighting Police…yet. (I would however like a position of authority when it is established!) If your friendly neighborhood lighting salesperson suggests a semi-flush, don’t lift your nose in disgust. Relax and say, “Yes!” Your visiting friends and family will be envious! You’ll be the talk of your posse. It is, after all, a semi-flush world.

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Technical Lighting Help

Switch Placement

Photo by Andrea Davis on Pexels.com

When my wife and I were first married back in the Paleolithic Age, we rented half of a duplex in Shaker Heights, OH. To turn on the light that illuminated the pantry area of the kitchen, you had to slide your hand sideways between the wall and the refrigerator side. The switch was located unusually high on the wall surface and access was only achieved via fingertips. Clearly, not the best placement, but in a century old home, light switches were often placed in peculiar, inconsistent spots.

I recalled this after publishing my last blog on sconce use. A friend dropped me a note after reading my comments about using them in bedrooms, rather than bed lamps. He didn’t mind the idea, but has always felt the switches are placed in inconvenient locations, requiring the skills of a contortionist to activate or reenergize the lighting from a lying position.

He is right. As designers we must design good lighting that performs well and functions in accordance with need. Part of that functionality is adequate access to switching. As a designer, do you plan the switch placement? Do you actively discuss switch placement and preference with clients? If not, you should.

In the midst of thinking about my friend’s input, I went to see the movie, “Living.” Aside from the incredible performance by Bill Nighy, I took note of the alternate light switch placement represented in English homes of the 1950s. English light switches are substantially higher up the wall than a typical North American home. As the actors moved through the movie, they effortlessly and with little conscious thought, engaged the controls. Regardless of who we are in the world, we must interact with lighting with the least amount of effort. That occurs when designers think about it first.

Switches? We Don’t Need No Stinking Switches!

Considering lighting controls moving into the future, it might actually be less of an issue. As home automation increases, I’m not really seeing a long-term need for wall-mounted controls and all of the extra wiring needed to connect them. Were I “Carnac the Magnificent” (look it up) I’d suggest the answer to, “Reduced new home construction, energy savings and increased convenience,” is, “Why will there be no more light switches in new homes?”

Think about it. A small module is connected in the outlet box between the house wires and the luminaire. It is assigned a digital name and voice activation takes over from there. “Google, turn off bedside sconce left.” Diming instructions and even establishing an activation time can be programed into the module. Walking into a dark room will no longer be needed. Lights left on in unoccupied spaced will no longer waste electricity. They will shut off once everyone leaves the area. Seniors will no longer fall on their way to the bathroom (a huge concern for an aging population.) In the future I expect light switches to go the way of iPods, the Blackberry and Flip Cameras. Like all of these antiquated pieces of tech, they will be replaced with your smart phone.

Until Then

Admittedly, switches still have a few more years of use and some people will nostalgically demand their use, despite their upcoming impotence. While we wait for the next trolley, think about switch placement:

  • Where is the best location for placement?
  • In a bank of switches, which switch is first, second and third, etc.?
  • Will standard height placement work, or should this particular switch be located in a different spot for better function?
  • Do I want or need a dimmer here?
  • Will the addition of a motion activated switch or an occupancy sensor switch improve function, user experience or performance here?

A few questions and the sound thoughts all good designers and engineers put into product application and the user will never think about it. That is, after all, the goal of every good designer and product engineer, effortless uncomplicated use.

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Aesthetic Lighting Help

Don’t Forget Sconces!

Hinkley – Reign pendant configured to hang as a sconce

I don’t think we use enough sconces in residential lighting. Sure, most manufacturers present sconces. At the just completed, Lightovations lighting show in Dallas, I saw a few exciting sconces that I would love to see used, but my deep seated fear is that they will be considered by interior designers and ignored by everyone else. That said, this is my plea to keep sconces top of mind.

Foyers

Here’s an idea I love. Forget the foyer chandelier and use a collection of tall sconces positioned around the perimeter of the space. Of course, the architecture must be compliant. When it is, this can be a great alternative, especially when the foyer is single-story.

Perhaps you are not inclined to forgo the chandelier in a two-story space. Consider this. Use a smaller diameter foyer pendant or narrow and long chandelier and add a few sconces. This will add a layer of light variation that will supply depth and interest to the room.

Bathroom/Vanity

Sometimes I feel like a one-man band reminding people that the best bathroom lighting is a sconce on each side of the mirror rather than one long piece, over the top. Every expert and almost every book written about lighting tells us this, but the economics of one outlet box vs. two is too powerful. Over mirror lighting is unflattering and is so laden with glare, it is considered the most egregious luminaire for senior eyes in the entire house. So I’ll say one more time with feeling, “Use sconces on each side of the bathroom mirror used for personal grooming. Your eyes and make-up will thank you.”

Halls

Most hallways are now illuminated with a string of recessed cans down the center. There is nothing wrong with this, but it is predictable and somewhat boring. To elevate these pedestrian areas, why not consider using sconces instead?

Great Rooms

Recessed can lighting, 22’-0” overhead in a two-story Great Room is very close to being useless. The light is so far overhead, the amount of measureable light is minimal. Nonetheless, light is very important in these communal areas. Floor and table lamps are crucial, but sconces can add a layer of light that serves two purposes. The light, closer to the user become functional, unlike the faraway cans. On a massive 20’-0” to 24’-0” wall surface, the space can be humanized and brought into better perspective. The room takes on a more intimate appearance. Forget the light kit on the overheard ceiling fan and the useless recessed cans in a two-story Great Room and replace them with sconces.

Bedroom

Forget the bed lamps. Use a sconce on each side of the bed with an individual control switch. Using a sconce rather than a lamp will save tabletop space and can be very effective in smaller rooms.

Kitchens

As some designers have eliminated upper cabinets in kitchens, the light needed on countertop surfaces must be provided by something other than under cabinet lighting. Sconces are a natural option. They also add an element of design to the now blank walls.

Size

When ceiling heights were typically 8’-0”, 8” to 12” sconces were common. With 9’-0” ceilings now common and 12’-0” readily found, sconces must be taller, lest they appear puny and out of scale with the home. Seek out taller pieces. Forget anything under 18”. In multi-story foyers or great rooms, even taller units should be used.

Alora Lighting – Akoyo linear “string” has been configured in some applications running down the face of a tall wall in lieu of a sconce.

While many 24”, 36″ and 48” linear sconces are now available, recently, I have seen some exciting “string” products that can be installed like a sconce. Think of a string of pearls. Both ends use a type of canopy to connect to a surface. If one end is installed, say, 3’-0” from the next, a beautiful drape can be created. One end on a ceiling or wall can create a type of sconce that drives down a long wall surface. Some manufacturers are using plain white balls, others crystal baubles. Regardless, this is a wonderful option to create interest on wall surfaces.

Convinced Yet?

Please don’t let me sing this song alone! Sconces are a meaningful way to add light to many spaces in a home. Let’s all do our part to make sconce a more meaningful way to light residences.

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Lighting Commentary

Residential Lighting Trend Influencers

Fashion has always been one of the four factors I’ve used to determine the direction of residential lighting trends. Admittedly, it is relegated to tertiary importance. Architecture, Related Home Furnishings (furniture, accessories and appliances) and Socioeconomic Direction are of course, much more relevant. It has however signaled direction, reflection, outlook, color and a score of other subtle guideposts that I have considered.

Balenciaga – Fall 2022 New York

Over the last few years, I have struggled to find the signs that fashion of the past provided. Even major houses such as Balenciaga and Givenchy now show elements of “streetwear” as haute couture. When designers do attempt creativity, it often arrives in an undefined and unable to relate exaggeration. (The pictured Balenciaga’s black-rubber suiting for example.) Few clues can be unearthed as to how that will provide influence to the home, unless the owner has some predetermined kink! Perhaps the faceless tech takeover of our lives is, in reverse, impacting fashion?

The most recent (Fall 2022) New York fashion week was by all accounts, a snooze-fest. Sure, the black rubber suit was fun, but little else was of interest or value (to me.) More paper thin dresses, exaggerated headwear/footwear and lots of casual. We could argue that the casual trend has resulted in homes and home décor that is equally relaxed, but that gets us only so far. “Street” has not resulted in ramshackle homes in deference to the torn, frayed and undersized/oversized jeans that continually show up on the runway.

Do I Switch to Only Three Factors in My Formulation of Upcoming Trends?

While many (most?) of us can never imagine ourselves pulling off haute couture, fashion of the past provided at least a modicum of connection to the real world. Now fashion has been usurped by an elite that does not connect to the collective “us.” The gap between couture and homeowners widens with each Milan season.

Neither my wife or I are trained in art, we have however spent a lot of time studying and viewing creative art. My wife commented on a recent show at MOCA Cleveland, “This art is created for other artists. Unless conversant in the minutia of contemporary art, most people will have a limited ability to appreciate and understand the pieces.” It is easy to see her point. Art, like fashion is more difficult to comprehend, especially as it becomes more conceptual. We live in a real world. Homes are not conceptual, or are they?

Frank Gehry and his patron, Peter B Lewis spent ten years and millions of dollars conceiving a home for businessman Lewis that was ultimately never built. In a conversational lecture I attended with the two, both expressed satisfaction with the project. Both “got what they wanted” from the exercise. For most people, a multi-million dollar, unbuilt home is not the end result expected when commissioning an architect. For the rarified few, conceptual can be enough.

Has fashion moved to a point of exclusion so advanced that it cannot be relative or of influence to products that will be used in homes and residences? The Met Gala and its ilk is of value to so few people I feel we are very close to that point.

So What Do I Do?

There are some overriding threads gleaned from recent fashion that do provide a glimpse from which I might draw some thoughts.

  • There are some post-streetwear rejections peeking for daylight. Is it possible that we might elevate our fashion game and dress-up again? It happened before. The Disco Era followed the Hippie Era and women turned to frilly dresses and men donned suits, albeit leisure, again.
  • There is a more fluid nature to color and patterns. Floral prints are used on menswear and herringbone suiting fabrics are showing up in dresses and blouses.
  • Clothes are simply becoming more and more asexual. With larger percentages of young people identifying as non-binary, options beyond non-sexual jeans make sense.

Could these mean we will see more formal homes in the future? Will there be more experimentation with color? Is there life after beige neutrals? Does a non-binary population relate to more flex spaces in a residence?

In short, I don’t know…yet. For the foreseeable future, I’ll continue to read about the assorted seasonal collections, watch the runway recaps on YouTube and file the photos I see for the next season in my mind’s hard drive. With enough information over an extended period of time, the relevance will become clearer and clearer…hopefully.

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Technical Lighting Help

Germicidal UV Light

I recently read that Germicidal UV Lighting (GUV) has not produced the sales manufacturers had expected. The amount of available products has quickly plummeted and there is some thought that with the retreat of COVID, people are no longer worrying about airborne particulates and how to protect their family. With the pushback against common-sense vaccines, even in the face of overwhelming scientific evidence, it might not be surprising. Still, the use of light to help combat germs and viruses remains in play. The method of delivery might shift and change as new ideas arise and research becomes more pointed.

Using UV is nothing new. The sun is often considered the ultimate cure-all and of course, it delivers plenty of light in the UV spectrum. In the 1920s, capitalizing on this understanding, Vi-Rex devices were sold to plenty of vulnerable people based on their promise that the electric shocks of UV would make one, “vital, compelling and magnetic.” I’m hoping that was figuratively magnetic, not literal. SAD lights provide a blast of bright UV-filled light for those who are effected by Seasonal Affective Disorder. This more current application is an equally suspicious solution. Does it really work, or is this the 2020s version of wearing a copper bracelet to cure arthritis?

Essentially, viruses are vulnerable to light in certain areas of the electromagnetic spectrum. By adding that type of light to typical luminaires, we can include an effective germ cleanser. The problem is us. Humans have negative reactions to light in this area of the spectrum. When we stay in the sun too long, our skin becomes sunburnt. This is one, very simple, easy to understand reaction to UV. Science-fiction movies remind us of the many other harmful effects of UV and infrared light. Specific spectrum can be VERY damaging. Some areas are deemed safe, but I still read research papers where the exact specifics of “safe” wavelengths is debated. For that reason, care must be employed when considering this option.

I however remain bullish on GUV. The science is still young, but the results are narrowing toward some very specific results. I expect better scientific direction to arrive soon. Coupled with the constant increase in immune resistant antibiotic bacteria (basically, bacteria and fungi that have developed an ability to defeat the drugs designed to kill them) it appears to me that use is inevitable.

As we enter this New Year to growing reports of increases in childhood hospitalization due to viral infections, added help will be required. If GUV employing better research results can help, we should all be receptive. If the germs can improve their defense against antibiotics, then humans should happily add light to their side of the battlefield. In doing so, we must use them knowingly and with greater and greater understanding of the direction of use provided by carefully derived research.

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Technical Lighting Help

A Happy Lighting Holiday!

About twenty-five years ago my wife and I started to collect blow-mold lighted snowmen. We bought them at garage sales and end-of-season closeout sales. Before long, friends would call from their own estate sales adventures and ask, “There’s a 4’-0” snowman here. Do you want it?”

In the previous house, we arranged them on the porch in a chorus. When we moved to the current porch-less home, we set them in the flowerbed alongside the front path. On the porch, they were pretty well protected, but in the newer house, they became fodder for vandals. A 10’-0” blow-up snowman, compliments of another garage sale attending friend was dragged across the lawn before the “genius” teen-vandals realized it was tethered to the ground and the heavy blower unit had torn a hole in the sagging white giant’s base. It lay on the sidewalk, exhausted and deflated. No more holiday greetings for this guy.

The last time I set them up, a year ago, another collection of vandals decided it would be fun to knock over the chorus, bowling pin-like. When they fell, of course, some of the incandescent lamps broke.

After the vandals, some of the lighted snowmen were not as illuminating as before! Incandescent filaments are very sensitive.

So why this tale of snowmen and vandals in a lighting blog? The last sentence. “…some of the incandescent lamps broke.” They broke, because of impact. Had I placed LED lamping in the snowmen, it is likely my repair task would have been easier. Stand them back up and I would have been back inside with a hot cup of cocoa ten minutes later. Instead, I had to open them all and replace all of the lamps…and it was COLD! LED are much more resilient to vibration and impact. The fragile filament could not handle being thrashed to the ground. LED, like the blow mold snowmen themselves bounce back, unharmed.

There is another reason to consider using LED lamping in your lightened holiday menagerie. Heat. I was reminded of this by a friend when he began setting up his holiday decorations. Most of these items came equipped with a very low wattage maximum. The large 4’-6” snowmen have labels warning against anything over 40-watts of incandescent light. That warning is not there for illumination maximization, but instead, because of heat. If too much heat was generated, the plastic snowman, might begin to look like the blow-up version the kids destroyed a few years back, all melted into a puddle, or at the very least deformed in some way.

A 40-watt incandescent lamp delivers 450 lumens of light, but creates a fair amount of heat at the same time. Because the LED lamps create a fraction of the heat, increasing the lumen output is now possible. My friend called because his decorations appeared “dark and gloomy.’ He wondered if he could increase the lumen amount to brighten them by switching to LED. A jump to 800 lumens (a 60 watt incandescent equivalent) consumes about 11 watts of power and will be cooler than the 40 watt incandescent, despite an almost doubling of light output.

This year, as you bring the holiday décor down from the attic, remember that re-lamping with LED will save you some money on electricity, but it also could invigorate your gloomy lighted treasures and make them that much more festive.

To everyone, have a great, well-lit holiday season and stay tuned for more tips and information on lighting, from your friendly neighborhood lighting geek, as we move into 2023!

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Lighting Commentary

BDNY, ICFF, LightFair, KBIS, IBS and the Evolving Trade Show World

Photo by Pixabay on Pexels.com

The first time I attended BDNY I found it a waste of time. It was small and there was very little of value to draw me back. I never went again. Jump ahead to a post-pandemic world and one of my favorite shows, the International Contemporary Furniture Fair (ICFF) combined with BDNY in 2021 to put on a better-than-expected presentation. The subsequent solo ICFF, earlier this year, was a bit of a letdown which led me to wonder if BDNY had become a more valuable asset. I decided to attend the solo BDNY and while not as powerful as the combined 2021 effort, it was worth the trip.

A similar thing occurred at the first LightFair I attended. A few years later, Energy Efficiency and LED jumped into the public conscience and the industry enjoyed a decade of relevant, informative and engaging shows. Now, with LED aging into “old news” the value of the show is shrinking.

My first KBIS was a revelation. I learned so much and experienced so many things, I could not wait for the next year. Unfortunately, the value has been reduced every year since. Whole categories of goods disappeared, major manufacturers dropped out and new products and ideas were eliminated for fear of being “knocked-off” by budget-priced competitors and trolling attendees with newfangled phone-cameras.

By contrast, the European shows have somehow been able to maintain their value. Shows are bigger and longer, spaces are not a collection of boilerplate “popup” displays that all look the same. New ideas have been shown consistently and the staff has remained at a high professional level (Suits and dresses [remember them?] are worn, a very minimal amount of faces are buried in mobile phones.) They remain attend-worthy and younger professionals as well as old vets are very much present, unlike the boomer-centric shows of America.

This is the perfect time to toss the whole concept in the air and allow the pieces to land in a newly configured way. I am aware that many groups derive much of their financial base from the shows they sponsor and are reluctant to change. Change, nonetheless will be required, because attendance is and will continue to dwindle. As the great actor, Yaphet Kotto says in the 1975 movie, “Sharks’ Treasure,” “Fifty percent of nothin’ is nothing, man!” They can continue to own all of a shrinking extant, or less of a growing alternative.

As the world attempts to recapture two years of lost trade shows, some major rethinking must be undertaken. When the International Builder’s Show (IBS) combined with the Kitchen & Bath Show (KBIS) they bought themselves an additional decade of relevance. I’m sure, even they are starting to consider where they head now. Huge pockets of their relevant industries are still missing from the combination. Are there other shows that can be corralled to present an even bigger bang? LightFair is moving to a biennial schedule, similar to many major European shows. This should make it more of an “event” and grab a few more people. That might help for a few years. It is time for BDNY, ICFF and perhaps a handful of other smaller shows (the un-resurrected ADHDS, NY Now?) to coalesce and present a show that creative professionals can really use. Continuing to deliver halfhearted efforts will result in a continuation of attendees forgoing them completely.

I know I have written about the need for trade show change before. I have no “dog in this fight” other than twenty-five years of experience. For years, I was paid to attend these shows and relate the observations. As I see less and less to report, attendance becomes less and less important. It is harder and harder for me to recommend attendance. Deep down inside, I want them to be better with continued relevance. The vibe in a room filled with creative people cannot be replicated online. Even with poor results, I still feel somewhat more energized when I return to work.

Perhaps, we are destine to watch these shows melt. The deck is stacked. The internet, online catalogs, online visual influencers, a “stay-at-home” pandemic, work from home employment and a new generation of workers with slight face-to-face socialization skills may be too overwhelming for this old-school concept to survive. We baby-boomers have only a few years or relevance left. If that is the case, I wonder what is next. I suspect we’ll all need to stay tuned.

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Aesthetic Lighting Help

BDNY 2022

I’ll have more to say about the actual show in my next blog post. For now, let me share the interesting things I saw at this year’s installment of Boutique Design New York (BDNY) a trade show created to serve the hospitality design community.

Wicker/Cane/Reed/Woven

There are two noticeable trends that permeated the show. Neither are surprising, I guess I was simply surprised by their dominance.

First, wicker and cane was everywhere. Dedon used a composite woven into the new Roii collection of outdoor furniture with great color combos. https://www.dedon.de/ Global Lighting used cane to create oversized pendants. https://www.globallighting.com/ Summer Classics https://www.summerclassicshome.com/gabby and Arteriors https://www.arteriorshome.com/shop/lighting both also showed oversized wicker, reed and cane pendant options. Pallacek http://www.palecek.com/product/palecek/lighting/ varied slightly with woven fiber pendants. There is no doubt the hospitality industry is embracing this natural trend. With such saturation, should we now question it duration?

BDNY 2022 – Deadon woven pattern
BDNY 2022 – Global Lighting – Wicker and Cane Oversized Pendants

LED Mirrors

As I prepared to attend the show Sunday morning, I commented to myself how horrible the hotel lighting was at the sink. In this particular room, a spotlight was aimed at my hair from overhead and no light anywhere near my face. I moved about like an indecisive fly until an adequate amount of illumination fell on my face. That preface was a telltale reminder when the second overarching trend became noticeable.

Seeing LED lighted mirrors in such abundance made me optimistic. Some, of course are glare-bombs with light aimed at blinding the user, but many of the pieces on display were making an honest attempt to deliver decent light for personal grooming. Seura, https://www.seura.com/products/lighted-mirrors?loggedIn=false has a very professional collection with much attention paid to color and luminance levels. Artline Group and Mirror Image https://mirrorimageinc.com/ also showed a few interesting options with attention to aesthetics and light delivery. While I’m sure I should know better, I’m keeping my fingers crossed that better lighting in hotels is around the corner.

BDNY 2022 – Seura – LED Lighted Mirrors

Lighting

Of course I gravitate to lighting. After working 49 years in this industry, I can’t, not look at lighting!

Cerno lighting showed an interesting assortment of products. Very “smart” modern and using some edgy colors and finishes, I found myself surprised. I have either ignored or forgot about this company. I think I will pay attention in the future.

Loved two pieces shown at the Visual Comfort booth. The Comtesse by Paloma Contreras is a very shallow spherical sector of metal, all the light is indirect and sizes are grand. The Orsay Pendant, also by Contreras stacks a small metal cone atop a larger for a clean simple look. The Sean Lavin designed Orbet pendant is a strings of white glass balls in a single drop, almost serving as a simple string of pearls against a black dress for the home, which of course, is always in fashion.

BDNY 2022 – Visual Comfort – Orbet Chandelier and Pendant

I do not believe I have ever come across Bover Barcelona Lighting https://www.bover.es/en/ while I was drawn in with their display, a quick review of their website and I found many interesting items. It might be worth a look!

Conversely, I have run across B.Lux https://www.grupoblux.com/en/ many times in the past. Their new outdoor solutions are completely different. Track lighting and pole lamps for the outdoors? Wow! Exciting.

b.Lux Outdoor track and pole lamp

Ethimo https://www.ethimo.com/en looked again at solar lights, this time, they were porch portables in the shape of milk jugs, obviously called Milk. I still wonder if anyone will crack the code for solar longevity and power retention. These guys are nonetheless cute and would work nicely in most every patio setting. Longevity is however always the key with solar.

BDNY 2022 – Ethimo – Solar portable porch lamps

Sort of Lighting

Perhaps a result of the pandemic and the desire for outdoor eating deep into autumn and early in the spring, Kindle Living has developed a deep line of “Heat & Light” outdoor heating units that now include a lighting element. What is nice is the varied style. Some are clearly “outdoor” aimed, but traditional and mission styling is also available. These are nice solutions for any exterior look.

BDNY 2022 – Kindle Living “Heat & Light” outdoor environment accessories

Beem by Belgian manufacturer, Heatsail is a unique product. This is an outdoor lighting unit that includes a heating and misting option all in a compact, contemporary package. One product that solves three problems, heat, light and cooling, must certainly be of value for patio living.

Heatsail – Beem lighting-heating-misting all-in-one, over table unit

Not Lighting

Make no mistake, this show is filled with minibar suppliers and room safe providers. (I’m not sure I could make a career out of providing keycard access equipment to the industry, but that’s probably just me!) Stepping over all of the boilerplate, there was some interesting non-lighting things worth mentioning.

At most shows, there is always one wallcovering supplier that catches my eye. This time, Innovations displayed a textured collection that felt like cork and featured metallic veining that would nicely compliment the rise of warm brass use today.

https://www.innovationsusa.com/

BDNY 2022 – Innovations – wallcovering with metallic veining

I’m not sure I have thought much about wall clocks lately, if I have ever! That changed at the Noman booth. Rather than the massive blobs of white with schoolhouse numbers placed 30° apart, this company has created products that disappear into the architecture with wisps of metal and minimalist mechanics. These designs have turned functional necessities into beautiful wall accessories. Quite a feat.

https://www.nomonwallclocks.com/en/

BDNY 2022 – Noman – Subtle wall clocks that disappear into the surface

While they advertise their product “for island living” Teaki Tiles could have a much wider application, as long as imagination is used. Rather than ceramic, these tiles are fabricated from teak wood. Teak is an excellent hardwood that has been used around water for decades, so It might seem obvious to use it on floors and walls in patterns. That said, I don’t think I’ve seen it used before in these applications. Their offering could enliven almost any design. I felt sunnier after having seen it!

Teaki Tiles – wall and floor tiles made of teak wood

I really liked the heavily textured, ceramic wall panels at Medici & Co.

Medici&Co Home

BDNY 2022 – Medici & Co. – Heavily textured ceramic wall panels

As I took this photo of a very creative rug shown at Portuguese weaver, Ferreira, I overheard a passing designer ask her friend, “Is someone going to trip while walking over that?” I don’t know if that would occur, but it sure will cause one to pause for a moment. These were beautiful textured and tufted floorcoverings.

BDNY 2022 – Ferreia – creative sculpted rugs from Portugal

Yes, we’ve all seen outdoor shade umbrellas. There were three or four manufacturers at the show. Only one made me stop and look. Umbrosa were much more interesting and based on the salesperson demonstration, very easy to manage. A quick look at their website and even more variation is available. I wish I had a place for one!

https://www.umbrosa.be/en

BDNY 2022 – Umbrosa – Interesting shade umbrellas

This was a neat idea. Kenco Hospitality showed a collection of double window coverings tucked into an illuminated valance. The front drape was sheer, allowing sight onto the photo-realistic scene printed on the back drape panel, giving you the illusion of a much more interesting exterior. As I opened my hotel window onto the stone wall of an adjoining structure, it appeared to me how valuable this could be in urban hospitality settings.

https://www.kencohospitality.com/

BDNY 2022 – Kenco Hospitality – Lighted valance with two drapes allowing for the creation of alternate window views.

The idea of printed surfaces heretofore left plain was again mentioned when an old friend showed me printed shower stall environs at ABG Hospitality. Printing on glass added a level of excitement and style to these surfaces. While created for the hospitality industry, I wondered if applications could be found for residential spaces. Something to consider.

https://abghospitality.com/

Finally, why shouldn’t the sixth wall be interesting? Above View wants designers to think about the ceiling with creative artisan ceiling tiles. Geometric, textures, patterned and completely different ideas. I liked the idea that this product forced a conversation that stretched the idea of design.

https://www.aboveview.com/

Above View – creative ceiling tiles that bring interest to areas previously left blank.

BDNY & NY

Despite the fact that I found only a few visually excited things at the show, it is always nice to reconnect with friends and immerse oneself in a creative space. A few days in New York also allowed me to sample a few new restaurants, (Try Cadence and The Musket Room!) see some shows (I highly recommend Ohio State Murders & Kimberly Akimbo.) and check out some museum exhibitions. (Loved the Alex Katz retrospective at the Guggenheim.) Refreshed and energized, I’m ready to handle a cold and snowy winter while I hold my breath for Spring.

Categories
Aesthetic Lighting Help

Scouring the Discount Racks for Trends

When my wife and I are shopping in a multi-department retail store, she always knows where to find me when we get separated. Inevitably, I am wandering the aisles in the Housewares section. What sheets, dinnerware, appliances, cooking equipment and household accessories are on the racks, on sale, sold out or in the clearance section? What colors are low in supply and what finishes are in the discount section? Has the “latest trend” been reduced in price?

A recently opened H&M Home featured a prominent “SALE” rack. What is that telling us about Teal and Dark Blue home accessories?

Initially, we all want to know what is new. If we shop a store, or flip through a mail-order catalog or browse an online website, we do so to see the latest options. Understanding what is waning is of equal importance.

The same H&M Home with regular priced merchandise, not a blue or teal accessory to be seen!

I wander retail aisles to try and understand the impact on the look and trends of home interiors. One retailer selling orange, bunny motif accessories is just a funky idea. After the initial sighting, that observation is filed someplace in my brain. I move on. When I then notice the fifth or tenth retailer selling a variety of goods with orange bunnies it is likely becoming a fad or possibly a trend. An idea with which some reckoning is needed. Orange bunnies will now apparently be a factor.

Of course, orange bunny motifs are deceptively simple. They are most likely going to end up in the sale rack during the next season and in the “dollar store” six months later. Paying as much attention to the closeout racks as the new merchandise will help in the understanding of the trend cycle. One orange bunny at 50% off is a sale. Every retailer with all of their orange bunnies at 50% to 75% off and orange bunnies aplenty at the “Dollars Are US” store means they are no longer relevant.

I remember the first time I questioned the continuing viability of Oil-Rubbed Bronze. The finish had been red-hot for about a decade. I knew, the end had to be near, but it remained popular. I toured a new construction home (I’m always touring new construction!) and noticed the oil rubbed faucet in the bathroom. It immediately looked dated. The dark lighting above brought a depressed feel to the room. I knew then, it was on the downslide. A subsequent visits to Home Depot, TJ Maxx and Target confirmed stocked shelves of oil-rubbed bronze. When mass retailers are neck deep in a trend, it is clear, the end is nigh.

When a long-serving trend winds down it means a new option is on the rise. By paying attention to deteriorating trends, it forces observers (and me!) to ask the question of replacement. That in itself is just as loaded a problem. There is almost never a one-for-one swap. What happens after a trend deteriorates is a rebalancing. New ideas come forward and fill in gaps, trends midway through a cycle become more dominate and some other rising trends might accelerate their decline. In short, it turns into an aesthetic game of “Whac-A-Mole.” Balance is usually stabilized when the economy is roaring. Sluggish economies instigate change.

Consciously or subconsciously, we all know trends have a finite lifespan. Our personal methods for digesting them and using the information to our best ability can be supplemented by good observation skills. It is important to comprehend upcoming trends. One way which we can supplement that knowledge is by embracing the information gathered around the discount rack and discount stores.