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Lighting Commentary

A Lesson in Importing and Tariffs

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I’m old enough to remember when all lighting was manufactured in the USA. I was also dropped, smack-dab in the middle of the transition from “Made in America” to “Made in China.” Let me help you understand the realities as we approach a political atmosphere with limited knowledge on the topic and the guillotine of added tariffs over our heads.

In the 1970s most lighting companies assembled parts made in-house, or by a collection of suppliers to the industry, also located in the US. Arms were bent, pipes were swaged, glass was blown and wood was turned and fabricated all by an army of small job shops. Painting, polishing and plating was done in-house, or at small local suppliers. France, Greece and Mexico made a fair amount of glass and the ubiquitous bronze was created in Spain, but that was about all that was imported.

That was followed by a short period when manufactures sourced components from around the world and assembled or packed them in the US or Mexico. This globalization of manufacturing was a precursor to the eventual shift to Asia, a move that was forming in the background.

During the energy crisis of the late 1970s, Taiwan began to build the inexpensive ceiling fans America demanded and through that effort, they inadvertently stumbled into the lighting fixture business. The floodgates were opened.

Taiwan and Korea became the primary source for lighting, but because of the highly educated local populations, neither could satiate the American demand. It was so difficult to find polishers and machine operators, Korea allowed many Bangladeshi migrants into the country, but it wasn’t enough. The Taiwanese manufacturers started to build alliances with people and facilities in China. Korea made attempts to partner with the Chinese, but for a series of reasons, they did not succeed and disappeared shortly thereafter. The Taiwan manufacturers kept the more complicated products and shifted the lesser-quality good to China. I and hundreds of other Americans spent days and weeks in the country helping the factories create the products that American consumers wanted.

The part most people don’t realize is that it took time to develop a mature global supply chain in China. Reliability, technological proficiency and production functionality needed to rise to western expectations. With that in place, the product quality, style and value progressively rose. Because decorative lighting is a low-volume business, Production automation was almost impossible. Components needed to be processed individually and the luminaires assembled one at a time. Some product would never have been made in the US. They were now possible in China. All those advancements however came at a price, duty.

To assess a duty, each product produced overseas must be assigned a Harmonized Tariff Schedule (HTS) classification code. This informs the importer how much they must pay the US government to bring this product into the country. There are also duty brokers who facilitate this transfer of payment who need to be paid. The final adder can also be sizable, overseas and across-land freight.

To better understand this, let’s consider buying a wall sconce from China. Here is a theoretical cost breakdown.

CostDescriptionPaid to:
$10.00Cost of the wall sconce, assembled and packedChinese Manufacturer
$0.76HTS Code 9405.11.60 (Chandelier & other electrical ceiling or wall lighting fixture) 7.6% (not made of brass) dutyUS Government
$1.0010% added tariff by President Trump in September 2018US Government
$1.5015% added tariff by President Trump in September 2019US Government
$0.05*½% Broker’s Fees (est.)Brokerage Company
$2.36Ocean Freight 1 cu. Ft. volume carton. $5000 avg. cost for 40’ container w/ 90% efficiency.Freight Company
$0.38*Overland Freight $3/mile approx. 300 milesFreight Company  
$0.80*Importer Overhead at 8% For Purchasing, Importation and Warehouse personnel + any drayage feesHeld by Manufacturer/Importer  
$16.85Total cost in 2024 

* Educated guesses

Now, let’s assume new tariffs are assessed to all imported products. All of the above will remain, but a new number will be added;

CostDescriptionPaid to:
$1.0010% added tariff promised by President Trump when he takes office (Per his 11/26/24 announcement)US Government
$17.85New 2025 Total 

To this number, the manufacturer must now add their profit and the cost of doing business. If you’ve watched enough Shark Tank, this is called “margin” and can mean the difference of staying in business and going out of business. Simply, the margin is the percentage of the selling price that is profit. For this exercise, let’s assume we need a 50% margin to keep our theoretical company afloat. (in practice, this number can vary quite a bit.)

Now, let’s see how tariff increases impact the consumer costs.

 Importer/Manufacturer’s CostProfit MarginDistributor’s Net Price
Pre-2018 w/ duty base of 7.6%$14.3550%$28.70
Current state with the 25% 2018/2019 tariff upcharges$16.8550%$33.70
2025 with the promised additional 10% tariff$17.8550%$35.70

The retailer, who prior to 2018 purchase the sconce for $28.70, saw a 17.4% increase over two years and will see another 5.9% increase in 2025, if the new administration follows through with its plan. That means, the collective Trump administrations will be responsible for a 24.4% cost increase. This is in addition to any inflation-related increases.

The retailer must now take the price they paid to the importer/manufacturer and add a level of profit required to run their retail establishment. I am not a retail expert, but have learned that number can range from two to three times the incoming cost of goods. Some retailers might actually need a higher level of profit, especially if they are located in a high-rent district, or a city with a higher cost of living. For this exercise, I’ll provide a range of two to three times their cost of goods. Understand, it could be higher.

 Retailer paid CostProfit MarginRetail Selling Price
Pre-2018$28.702 to 3 times the cost$57.40 to $86.10 paid by the end consumer
Current state with the 2018/2019 tariff upcharges$33.702 to 3 times the cost$67.40 to $101.10 paid by the end consumer
2025 with the promised 10% added tariff$35.702 to 3 times the cost$71.40 to $107.10 paid by the end consumer

The impact to the end consumer can now be assessed. An increased price in excess of inflation of 24.4% is the result. Most of that addition will be paid to the Federal Government.

Could the importer/manufacturer reduce their margins? Perhaps slightly, but most companies know their cost of running a business. If they slip below their 50% margin (in this hypothetical) or 2-3 time markup, something will need to be sacrificed. Service, salaries, employee/customer benefits, something will need to be reduced to make up for the loss. Retailers and manufacturers have no choice but to pass the added expense on to the consumer. It will either be that, or bankruptcy. In the last few years we have seen consolidation as an effort to reduce margins, initiated, in part, due to these increases. Perhaps more will be forthcoming.

Of course, the new President’s concept is that manufacturing will be returned to the United States, thereby eliminating the cost of duty, brokerage fees and ocean freight. (The Import Overhead will switch to Manufacturing Overhead and stay basically the same.) That supposes someone in America can hand-build, low volume products. Like the initiation of bringing lighting to China, all that will need to be repeated, this time in America. Labor, skill, investment and time will make this VERY difficult. It might work for highly automated, high volume industries like steel or automobiles, but the likelihood of lighting returning to the days of 1970 is slim.

That means a few realities will take place:

  • Customers will pay more for lighting.
  • The federal government will see a windfall of incoming dollars, all borne by the consumer.
  • Things will remain pretty much the same for the Chinese manufacturers and the Chinese government.

Who is being helped and who is being harmed in this new scenario? It seems to me that someone from the new administration might be well served spending a day in the office of a lighting supplier before doing something rash.

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Lighting Commentary

Jimmy Carter and Energy Efficiency

In the 1976 election, I worked on the presidential campaign of Mo Udall. I didn’t care much for Jimmy Carter as a candidate, or the emerging neoliberal era he would ultimately introduce. During the 1980 reelection campaign, after it was clear Ted Kennedy could not unseat him for the Democratic nomination, I supported third-party candidate, John Anderson. Carter was not worthy of reelection and Ronald Reagan proved to be as divisive and damaging to the United States as I had imagined at the time. It is safe to say, I was not a fan of Jimmy Carter’s presidency. There are, however a few things worthy of respect as it regards Mr. Carter.

After defeat he established a pattern to which all Ex-Presidents should aspire. He is the best Ex-President America has ever had. He used his celebrity and stature where it could do the most good and forewent notice when the only result would be narcissistic. This was so tough, 36 others could not and have not been able to pull it off.

More importantly to this blog, in the face of much derision, Jimmy Carter introduced America to the frailty of fossil fuel use and the inevitable problems that would bring to the country if changes were not made. In response to what he saw, he delivered speeches to the American public indicating that this problem was “the moral equivalent of war.” He addressed the nation wearing a cardigan sweater rather than the typical suit, he urged Americans to use less energy, reduce the wintertime temperature of homes to 65°F, and changed highway speed limits to a maximum of 55 miles-per-hour. He installed solar panels on the White House and in a speech delivered April 5, 1979 he said:

“The energy crisis is real. It is worldwide. It is a clear and present danger to our Nation. These are facts and we simply must face them.”

Despite a pretty consistent message, the American public ignored almost all of what he said. After his reelection defeat, the shortsighted and backward-looking Reagan removed the solar panels. Surely we could “drill” our way out of this crisis. That was, after all the probable reason for his election. We don’t have to face up to our problems because America is “stronger, number one, unbeatable” or some other diversionary adjective. All we need is a different leader who will change the storyline. A spent “B” movie actor was just the person to do it. We are still reeling from the wayward direction of his leadership.

In high school, we were required to periodically deliver “current events” reports. The job was to find a story in the newspaper, read it and deliver a three or five minute speech about the subject. While I likely did this scores of times, I only remember one. In the early 1970s, I found an article in the Cleveland Press that indicated we would run out of oil by a date in the reasonably near future. As was the case with all current events reports, the class ignored the information, just like America ignored Jimmy Carter.

Jimmy Carter was an untypical politician. He was not a lawyer. Instead, he was an engineer. He looked at information differently than most political people. He knew that fossil fuels were a finite source and hence would need replacement eventually. Imagine if we had listened in 1979 rather than acquiescing to faux cowboy bluster about superiority.

If we would have treated shrinking fuel availability as a true “moral equivalent of war,” America could have led the world in new power source creation, elevated product performance and developed thousands of other energy saving advances. Countries around the world would have been compelled to buy goods from the US rather than the reverse. Perhaps more manufacturing would have remained in America rather than fleeing as a result of the anti-worker policies heralded by Reagan. We would never have had to listen to the foolish “don’t take my light bulbs” arguments by light-brained politicians like Michele Bachmann, Joe Barton and Mike Enzi because we would have been in the middle of a national effort to move beyond. One could also argue that the climate crisis and sustainability drive we are now facing would be of substantially less a world concern had we addressed fossil fuel use when Carter suggested, rather than 40 years later.

While I barely supported the political life of Jimmy Carter, I had grown to respect him since. Under different circumstances and perhaps with different political advisors, he could have been a better president. Nonetheless, he made an impact and proved a very prophetic voice in a central part of my career, energy efficiency. If on this one point, we would have listened more carefully to a man from Plaines, Georgia, we’d all be in a much better place.

Rest in peace, Mr. President.

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Uncategorized

Holiday RGB Greetings!

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You had to have it. You finally bought that RGB lighting. Wow! Thousands of color options! In the first week, you bored your friends and family with all the variations. Then you realized that a purple dining room does nothing for the appeal of a roast chicken dinner. Berber carpet turns a horrible shade when lit with blue light. Flesh tones, no matter what the level of melanin, do not look good in red light. After the first week of playing with the RGB controller, you’ve permanently set it to “white light” and tossed it in the junk drawer.

Until now! We are approaching the holiday season and this is the time to finally use the RGB lights you so coveted. Set them for green and red, or blue and white. Go wild! Have fun! Those “ugly sweaters” will never look better. People and food won’t look any better, but at least they’ll have egg nog to blame. Just remember to reset them back to “white” for the remaining 50 weeks pf the year.

Here’s hoping you have a “colorful” RGB-filled holiday season! I’ll be back in 2025 with a whole new collection of topics. If there is lighting information that Santa has failed to help you with, drop me a line. It might be a subject that is confusing others, as well.

Happy Holidays!

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Aesthetic Lighting Help

NY & Fashion 2024

While watching the stunning new production of Andrew Lloyd Webber’s “Sunset Blvd.” I couldn’t help but wander back to the afternoon I spent walking Madison Avenue. From about East 50th up to around East 90th, there are clothing stores from almost every brand you’ve heard of and many you haven’t. I was trying to make sense of the direction of fashion. I wrote a few notes in my book, but nothing coalesced, until the show.

If you are familiar with the Billy Wilder movie starring Gloria Swanson, you probably remember Swanson’s magnetic film performance, but you’ll also recall the wonderful 50s style of Joe Gillis and the young Hollywood wannabees countered by the bygone palatial style and elegance of the 20s era Norma Desmond mansion. If you are old like me and you have seen the 1990s original theatrical production, it was famous for having a swimming pool on stage to service the climactic end. To understand the plot a viewer needed to be immersed in the ambience, right? But what if that is not necessary?

In a neck-twisting reversal, the new production forgoes almost all the outward decadence, drapes the actors in simple black and white, strips the set of everything except the most basic necessities and even inserts cultural anachronisms. The result was as mesmerizing a show as I’ve ever seen. The story was crystal clear because rather than ogling the surroundings, you were instead concentrating on the story, fine lyrics and award winning performances. It is a musical I won’t soon forget.

Like the show, it is no secret that daily-use clothing is becoming increasingly casual. The complex story of life can and does however continue. There was no secret held by outwardly elegant clothing. They did not/do not define the human inside.

As I noted points about fashion, it is clear that the basic units of clothing have stabilized into a uniform of sorts, jeans, cords, pullovers, vests and slightly oversized shoes/boots. The colors acceptable to men are however expanding beyond grey and black. I see more rich greens, burgundy, gold and different blues in menswear. Men are being given a wider berth with accessories. Glasses and sunglasses are becoming more fanciful. (Hey, the conservative Governor of Ohio has been wearing blue glasses for years!) There is more jewelry, bolder belts and funky swimwear available to men today. Women continue to have plenty of options to dress up or down. The extent to which they use that advantage, still remains in question. That power appears to be slimming almost daily.

So how does this relate to interiors?

We see the rise of a softer contemporary percolating right now. Consumers don’t want those stark hard edges, instead they are seeking softer lines, added radiuses and the warmer tones of brass in place of chrome. While still popular, I can see the end of Black on the horizon, it being too stark, too invasive for this new direction. The traditional side of the aesthetic world is seeing increased ornamentation, even the partial return of Victorian design is a muted version. None of this is staid or stifling, however. All of it feels like a home dressed in blue jeans and a cozy, overstretched sweater.

Nothing in the home defines casual more than the return of beige. Beige is again the center of the world. It dominates every showroom I visited over three days. With metal accessories now firmly entrenched in brass/gold, this is a trend that has legs. I really wouldn’t expect to see a shift any time prior to 2040. Brass and beige are THAT dominant a force. If you question this, check out the historical perseverance of this duo from the 1970s to the end of the millennium.

We are not a nation that will go back to the era of Nick and Nora Charles, a proper 5:1 gin martini and dressing for dinner, but the cyclical nature of design and style will drive change. That change will be mixed with the cultural reality of the time, including fashion…as it always has.

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Aesthetic Lighting Help

BDNY 2024 Report

Another year, another trade show. Overall, I found less of interest than normal at this year’s BDNY. It also seemed like a lighter attendance than last year. Nonetheless, there are a handful of things worth noting from this show, which concentrates on the needs of the hospitality trade.

Germs

Stern Engineering Ltd. showed touchless WC partition doors. Operating via proximity sensors, the user no longer needs to manually operate the toilet partition door. As we become more sensitive to germs and with the reality that 80% of germs are transferred by touch, this is a solution for a problem that might extend beyond a public restroom.

A continual issue with shower enclosures is grout mold. Mincey Marble is promoting cast marble that eliminates the grout. Unfortunately, for me, it has the look of the inexpensive resin/plastic tub enclosures that are advertised on late-night television. Too bad, they may be on to something here with a higher-end answer to black mold. I hope they continue to work on it.

https://minceymarble.com/

Need privacy in a large space? Room offers a collection of portable spaces that can insure some level of quiet and a place to meet. While this can be of value in hotels, I can also see the importance in open-plan office settings and maybe even homes with two “work from home” living partners.

BDNY 2024 – Room – Portable spaces

https://room.com/?srsltid=AfmBOorunYggcJhlk0dTOnh_xOLfZpU-47rDZVgue8E4U2fPBHbKNy58

Lighting

I have mentioned Swadoh before and their product bears repeating. Their design approach is different and unique. I was especially drawn to the look of torn and battered pages of a book used in their Fungia collection. If something special is needed, I’d suggest a look here.

BDNY 2024 – Swadoh – Fungia

https://www.swadoh.com/

Uecko is a Spanish cabinet company. Nice products, but what attracted my attention was the internal lighting. 3/8” wide LED Tape has become the default for so many tasks, so when I saw the internal cabinet lighting, I was very surprised. A tiny 3/16”, at most ¼” sliver of LED lit the cabinet interiors. This forced me to ask, “Why have we settled on the current LED Tape width?” Perhaps it is easy. No need to reinvent the printed circuitry that drives the concept. No need to engineer new connectors. Regardless, LED is very adaptive and why not consider a smaller concept. It certainly works here.

https://uecko.com/en/

As I gazed into the Artemide showroom window in SOHO, I was reminded of a past comment I made on RGB lighting. “Just because you can, doesn’t mean you should.” Yes, color changing lighting is fun, but it has a very limited practical use, especially in a home. I’m not sure where “Discovery Dialogue” by Ernesto Gismondi will be used, but I love the conversation and I appreciate the respect for technology expressed in the creator’s abstract. We must understand lighting technology will change and luminaire design and application will change. We need to get on board, or step aside.

NY 2024 – Artemide – Discovery Dialogue

https://www.artemide.com/en/subfamily/4746461/discovery-dialogue

Miscellaneous

I liked the combined materials of ceramic and leather used by Meso Goods in their wall hanging, Tela de Barro. Meso products are made in Latin America and this was an especially appealing design and use of mixed materials.

BDNY 2024 – Meso Goods – Mix of leather and ceramic

https://www.mesogoods.com/

Anytime I see Zaha Hadid, I am hooked. Despite her dying many years ago, her architectural firm continues and they have been remarkably consistent with her artistic vision. Isimar, a Northern Spain manufacturer of galvanized metal rod products, has engaged her firm and they have created Topos an outdoor chaise and chair that immediately brings to mind some of Hadid’s architectural work.

BDNY 2024 – Isimar – Zaha Hadid designed Topos collection

https://www.isimar.es/en/

Outdoor heating has become more and more important, yet the design of the units has been somewhat pedestrian. Heatsail is a Belgian company that is creating interesting and fashionable heating units. Resembling pendants and 70s era Italian floor lamps, outdoor heating in outdoor spaces can be achieved more beautifully now.

BDNY 2024 – Heatsail

I loved the dimensionality of the rugs at the family run, Portuguese weaver Ferreira de Sá. The addition of these pieces would make almost any room better.

BDNY 2024 – Ferreira de Sa – Sculpted Rugs
BDNY 2024 – Ferreira de Sa – Sculpted Rugs

These might appear “old fashion” but I liked the full wall murals displayed by Paul Montgomery. I think these could find a place in the interiors of the next decade, especial the less literal compositions like birds on a tree and jungle scenes. The concept of large, immersive wall coverings fits with the bend to maximalism and these are wonderful options.

BDNY 2024 – Paul Montgomery – Wall coverings

Despite a limited amount of new ideas, my trip to New York and BDNY did deliver a few concepts that will drive the future. We must all remember that the hospitality industry is often the driving force of design for the residential consumer. It is important to understand this industry to better determine what the residential consumer will want and desire in the future.

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Technical Lighting Help

“Let’s Just Eliminate the Stove.”

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At the recently completed American Lighting Association (ALA) conference, the concept of cost overruns was discussed. The lighting pros in attendance were commiserating the unfortunate fact that light, too often is the victim of an expensive refrigerator. When costs need to be cut, lighting becomes the sacrificial lamb.

I suggested we should all counter that response with a different argument.

Client: “We are spending too much money on the new kitchen. We’ll need to eliminate some of the lighting.”

Lighting Professional: “I have a better solution. Let’s remove the stove.”

At this point, the customer will respond and push back. Of course, a kitchen without a stove isn’t much of a kitchen. A kitchen without proper lighting is equally ineffective. If you can’t see the carrots, dragging out a knife could be a lethal, or at least messy problem.

There is a better way that doesn’t mean the elimination of half the light or one La Cornue. Multiple lighting options should be considered so a good lighting design will be the result.

The first design you offer should be the optimal version. You should include the luminaires that will do the best job, perform the best and deliver the finest design possible.

A second option should include alternatives and the reasons they are second should be included in the notes.

  • “Adequate, but not perfect beam angle”
  • “Shorter expected life span – 25,000 hours vs 60,000”
  • “Increased likelihood of glare”
  • “X”

You might want to offer a third, but I wouldn’t unless you like extra work, or that has been agreed upon when discussing the job.

Sometimes, the customer needs to understand why they are selecting what they are selecting. They might choose a Sub-Zero because it has a reputation and a certain amount of élan, but they do not have that connection to lighting. They can acquire a visceral connection to a chandelier, but functional lighting is different. A stove roasts a chicken, a dishwasher cleans the pots, a freezer makes ice cubes, but they might not realize properly designed recessed cans (pots) deliver glare-free light that supports all of the tasks a user achieves in a kitchen.

The accent lighting layer is an easy victim to cost overruns. In order to swing that copper farmhouse sink, the toekick and above cabinet lighting could be sacrificed. The lighting designer should ask, “At what cost?”

“Why install a Poggenpohl kitchen, if you aren’t going to light it properly?” If you can’t see the beautiful finishes, the seamless craftsmanship and the flawless functionality, what is the point?

In a perfect world, kitchens should be offered at multiple price points, each with commensurate lighting. Here are a few lighting options matched with the overarching kitchen concepts.

Entry Level Kitchens

If the client is furnishing their first home, or if they are young and just starting life’s journey they will likely be using stock cabinets, basic appliances, introductory priced granite countertops and simple flooring. The suggested lighting could be:

  • Decorative surface mounted luminaires – flush or semi-flush, depending on the ceiling height. (Surface mounted “discs” are not an option at ANY price point!!)
  • Good output, LED Tape in a plastic channel as under-cabinet lighting. Depending on price, an integrated under-cabinet option might work. LED Tape is typically less expensive (based on lumens per foot) but still confounds some less skilled electricians.

Mid-Level Kitchens

If the customer is moving into a second or “forever” home, they will likely be using semi-custom cabinets, more elevated appliances with better features, quartz countertops and ceramic or wood flooring. The suggested lighting could be:

  • Pendants at the island that have a size equal to the girth of the surface and a height that conforms with the ceiling height. In other words, avoid using tiny 5” spheres in a room with 10’-0” ceilings over a 48” wide island.
  • Well positioned recessed lighting. They may not have optimal beam angles and they might not be as recessed as those found in a perfect design. (Surface mounted “discs” are not an option at ANY price point!! Yes, I wrote this twice for a reason.)
  • 300 to 500 lumens per foot LED Tape in a channel as under-cabinet lighting
  • Above cabinet accent lighting provided by LED Tape delivering between 150-250 lumens per foot.

Luxury Kitchens

This client might have a kitchen designer. They might be using an interior design specialist or architect. They are familiar with what they want and have the funds to achieve that goal. This is not their first home purchase and might not be their last. They will be specifying the aforementioned La Cornue and Sub-Zero appliances in a SieMatic kitchen. High end backsplash and flooring materials will employed. The suggested lighting could be:

  • Pendants at the island should be perfectly sized to the girth of the counter and height of the ceiling. The quantity used should also fit the scale.
  • A separate dining area might need supplemental lighting and a fine decorative chandelier/pendant/semi-flush should be selected.
  • Well positioned recessed lighting with optimal beam angles and lumen output. They should be recessed into the ceiling a minimum of 2 ½”. (Surface mounted “discs” are not an option at ANY price point!! Once more for effect.) There will never be a reason to replace these, so buy the product that is warrantied for 50,000 hours or higher.
  • 300 to 500 lumens per foot LED Tape in a channel as under-cabinet lighting
  • Above cabinet and toekick accent lighting provided by LED Tape delivering between 150-250 lumens per foot.
  • Under countertop lip accent lighting should also be discussed and considered. It can be a wise alternate to inside drawer lighting.
  • Under island accent lighting (again, LED Tape) at about 200-300 lumens per foot will work nicely
  • There is a good chance this kitchen will feature some display cabinets. They will need to be lit to fully appreciate the items. The necessary illumination can vary widely from 150 to 500 lumens per foot depending on the goal.

There are many differences found in all the kitchen designs in America and they diverge in as many ways as the customer does. Despite that range, no one need go without a stove to have good lighting. Good lighting simply needs to be planned in concert with the rest of the kitchen’s functional elements.

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Lighting Commentary

My 100th Blog Post

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When it was suggested I write a series of blog post dealing with lighting, I thought, deep down inside, “Do I really have enough to say?” With this being my one-hundredth blog post, I guess I do!

Long ago, while working for a manufacturer, when I originally proposed a blog on lighting, I received pushback of a different kind. There were scores of legal and marketing concerns that stretched far beyond simply typing out 500 words. You would have though I solved the problems of campaign financing, only to realize that there would be no influence left to abuse. Everyone wants “content” but content is problematic for a corporation. Upon retirement the problem part of the blog disappeared. This is just Jeffrey sharing thoughts, opinions and best practices, not a company existing in a litigious society.

Post-retirement, when people found out I was still alive and asked me if I would take on some consulting jobs, I realized I would need to stay current with fashion, aesthetic, architectural and lighting trends. That meant I needed to rebuild the network of tools I used for that purpose in the past. I did that. Once the pandemic waned, I could get out in the world and continue the hands-on research in showrooms, galleries, trade shows and design centers. Translating those finding, from internal documents to blogs was pretty easy. That left me with a wide swath of subject matter on which to draw.

Trade show reports, administrative agency findings, scientific discoveries, legislative initiatives, design best practices and personal observations have allowed me to create 100 blog posts over four years. I regularly acquire new subscribers, so they must be of some value. I like to write, therefore the process is far from daunting. Overall, this is a win-win; I learn something and share it with anyone who cares to read it. In my mind, this is a formula that could last another 100 post, at least!

I hope you’ve enjoyed reading! Stay tuned for more.

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Lighting Commentary

A Teaching Moment at the Shoeshine Stand…and Two Conferences

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I love to have my shoes shined at the airport. In a world where most people are wearing sneakers and air-travel clothing has skidded on, beyond casual, I realize I am an anomaly. Having this service performed has increasingly been a challenge. The Cleveland Hopkins Airport shoeshine stand is essentially closed until long after the morning flights are gone and prior to the return of evening flights, so an open and inviting stand in the Denver airport was a welcome sight.

I was wearing a pair of olive green, Spanish made Mezlan slip-ons. I asked the gentleman if he felt he could do something with the odd color. The woman at the next chair, delivering a killer shine to a pair of tan boots owned by another customer, could not help diverting her eyes from my green shoes. The supervisor, who escorted me to the chair, also gathered around my odd shoes. Whispers abound. With a lifetime of wearing “odd” shoes, I did not find this attention unusual. People typically appreciate and admire my unusual shoes, even if they are unwilling to wear the same.

After giving my temporary neighbor a few last-minute tips on caring for his newly refurbished boots, the other shoeshine artist placed herself at my feet. She immediately took control of the shine while the supervisor and other shiner looked on. She asked the others if they had green polish. A feverish search ensued. Not finding what she wanted, she told the first guy to deal with my soles while she ran to the other shoeshine stand to grab green polish.

Upon her return, she got to work, but she did not leave her coworker or supervisor in the dust. She explained that she was mixing the green with a dot of brown to achieve the right tone. She defined how she applied the mix, how she buffed the polish and how to properly finish-buff the softer Mezlan leather. She conducted a master class on shoe shining, but she did not do it in a vacuum. At each step, she narrated her efforts. Amidst our casual chit-chat, she said, “We can all learn with each new challenge.”

Over the last two weeks I traveled to the American Lighting Association (ALA) and the Interior Design Society (IDS) annual conferences to deliver educational presentations and I hope I was as effective a teacher as this young woman. Her summation was very similar to the goal of each conference. Yes, there was talk about family, vacations and golf scores, but the crux of the conversation revolved around design and lighting. Ideas were shared, challenges were aired, problems were solved and “doing better” was the takeaway. Like the trio of shoeshine professionals, when information is shared it raises the level of excellence for the entire organizations.

If I owned a company, I would have hired this woman straightaway. She would and will be an asset wherever she works, or whatever company she forms, but that is not the point here. She could have easily buried her head and performed her task. Instead, she talked through the process and checked to insure each step was understood. Head nodding confirmed her efforts. Her messaging was the goals of each conference. Gather likeminded people, pull them into groups and teach them something that will raise their value to their consumers. The ALA and IDS Conferences achieved those goals and were worth attending for these very reasons. Attendance should be considered at both in 2025.

Next time I pass through DEN, I plan on wearing my red or purple shoes and hope there is no flight delay! I await a new lesson.

Categories
Lighting Commentary

Solar Panels and Exterior Architecture

Photo by Kindel Media on Pexels.com

My wife and I current live in a home that is listed on the US Department of the Interior, National Register of Historic Places. We have both served on the board of the local historic preservation society and remain active members of the Cleveland Restoration Society. It is safe to assume we like the look and feel of older architecture…of any generation. That last part is becoming important, now that we have reached “old age.” Our current home features LOTS of stairs and living with them increases mobility difficulty. We are both very healthy, but my wife has the cumulative effect of having stood in a surgery theater for most of her career and I have a degenerative joint disorder that has impacted my wrists and already eliminated one of the discs in my spine. Who knows what will be next for us?

Luckily, there are a number of one-story homes in our neighborhood. These are classic mid-century ranches build in the 50s that feature some very “cool” attributes, such as real hardwood paneling, under-counter vertical refrigerators and front doors with the doorknob in the center. For the last few (five?) years, we have been looking for a home with great bones that has seen better days. We have finally found, what will ultimately be our retirement home. To get to that point will require months (and months) of repairs and restoration.

It is our intent to bring in as many elements of home automation as possible. We are also providing for accessibility needs that might be required as we age and deteriorate. Of course, the lighting must be right and there are hundreds of other things we want to do, so we won’t have to worry about them when we’re 90 years old. All of that will of course be wrapped around our desire to be sensitive to the mid-century roots of the building design.

To remain cognizant of energy consumption, we talked about added insulation, but what of solar panels? That is where our two desires have collided.

If you drive around new neighborhoods in the south and southwestern US, you will immediately see solar panels slapped on roof in whatever pattern and manner possible. Most new construction has only a marginal concern for exterior aesthetics, so a couple of big black plates on the roof are no more a deterrent to style than the plastic faux shutters, veneered brick façade and vinyl siding. That they are arranged on the roof in no particular pattern and with no regard to appearance probably isn’t a concern. Plopping these panels on a piece of classic mid-century architecture that includes an old-growth, cedar shake roof is.

This is where my active, dual, right-side/left-side brain gets me in trouble. I love the confluence of design and space and visuals, but I also see the statistical importance of energy savings and the mounting cost per kilowatt hour of electricity. I could easily create a spreadsheet that details the month and year when I would break-even on the solar panel investment.  I also know it will never happen, because that pesky “other-side” of my brain won’t allow it.

My plea to the solar panel world remains the same and has remained the same for years. Design a panel or panels that include some aesthetic finesse. Come to terms with the fact that your product is big and highly visible. Do something to ameliorate the appearance of big, black blobs glued on a roof.

A few years ago, someone developed an individual solar shingle that interlocked with the adjoining shingles to form a solar roof that delivered the appearance of typical roofing material. They were shaped as slate, tile, shingle, shake, etc. I assumed the look and benefits would quicken their adoption. Perhaps they were cost prohibitive, but I never saw them again.

I have also heard of growing complaints with solar panels, not the performance, but instead, with installation. Solar installers are typically not roofers, but installation requires hole drilled into the roof of a home or building. The solution to roof holes is often caulk. To a roofer, caulk is a supplement to proper installation technique, not a solution. Their advice; select a roofer who installs solar panels, not a solar specialist who will install a panel anywhere you need, including a roof. You want an installer who knows how to properly flash around every hole added to a roof. Failure will result in a leaky roof.

A renovated mid-century ranch can have the latest home automation, it can be equipped with integrated LED luminaires throughout, the garage can feature electrical plugs and capacity to charge an electric vehicle and it can be packed with insulation to control HVAC energy consumption. In my case, it will not include solar collection panels on the roof, until the solar panel industry makes a product that can live in visual concert with the architecture of a home. That is where I draw the line.

Categories
Lighting Commentary

An Insensitive New York Times Talks Lighting

The Wirecutter feature of the New York Times was added a little while ago to provide product assessments across a wide variety of categories. A quick look at the internet and it is easy to see that “Top 10” and “Best of…” lists abound. It seems natural that The Times would jump into the fray. Honestly, I haven’t found this feature as good as the news coverage. The few analyses I read have been a mixed bag. I have found a few brands of gin that have improved the occasional Martini and Negroni I drink, but the other “bests” they promoted have been ok, at best. In general I ignore the section while I’m reading the news online.

When the NYT email arrived announcing their next Wirecutter finding, I was a bit taken aback with their use of a rude, perhaps sexist trope. “We Tested Tulip’s Renter-Friendly Boob-Light Cover in 3 of Our Own Homes” https://www.nytimes.com/wirecutter/reviews/tulip-shade-review/?searchResultPosition=1 Because it concerned lighting, I did reread the title to be certain I understood their intent. After I realized they were talking about flush pan luminaires, I shook my head and deleted the email.

A few days later, a friend forwarded his email to me, knowing I spent a career in lighting. He indicated that he always disliked this crude colloquialism. I jotted a note back telling him, while I have of course heard of the reference, it was rarely used by most of the people I know in the industry. Flush ceiling light, ceiling pans, ceiling mushroom and just plain “ceiling” are much more common.

Interior aesthetics is overwhelmingly populated by female professionals. As a guy talking about design, trends, color, tone, shape and the nuances of space, I have always tried to be respectful of the audience. Even if every design pro was a man, I don’t think I’d use this definer. It just seemed too much like salacious jargon for me. I wouldn’t want anyone to be uncomfortable with something I’ve said. I am very surprised its use got past the NY Times editorial staff.

Both my friend and I stumbled over a poorly employed phrase, but we ignored the reviewed product. I thought that was interesting. These types of ceiling flush units are quickly becoming dated. I remember their mass introduction over 25 years ago. Much nicer options are now available. However, if you have limited funds, or if you are a renter (as the article concentrates) can anything be done? A magnetic rimmed-fabric shade could be a solution, but I didn’t think much of the look they created. Kind of a sloppy Noguchi paper lantern pendant stuck on the ceiling. Interesting concept, but poor implementation. Did the headline writer make a mistake by alienating a population sector with a poorly chosen word?

The headline writer should have been more sensitive to their audience. I’d like to believe that most people in the industry he discussed already are.