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Aesthetic Lighting Help

2026 ICFF Report – The Lighting Edition

A day before I left for New York, I received an email from ICFF informing me that this would be the last “solo” edition of this show. Starting in 2027, ICFF will co-locate with BDNY. I was beginning to worry that the show would be a disappointment. I thought, they announced the decision at this odd time because of so little interest. When I arrived at the hall, there was no line at the badge pick-up counter. Ah-oh. This does not bode well. Happily, I found many things of interest. By the time I was ready to leave, the lobby was packed. I should have known; this is not a show where attendee wait in an early line to enter. The creative community is much more likely to arrive at the club around midnight. Only old guys like me, who have tickets for a late matinee (Titanique!) before leaving town, arrive early.

A lot of things caught my interest and they are intermingle here with things I found while wandering the city for three days. This post will be about lighting. In two weeks, I’ll discuss the non-lighting things that attracted me.

Fontana Arte – SOHO Showroom front window

A few weeks ago at LEDucation, I mentioned that one of the speakers wondered when we might have illuminated wall surfaces. I was reminded of this as I passed the Fontana Arte and saw their square and round LED pendant panels. This concept could easily trigger a new way to illuminate a room.

Foscarini SOHO Showroom – Front window displaying Asteria

The new Asteria chandelier from Foscarini is quite nice. They’ve translated a somewhat traditional chandelier shape into an illuminated carrier. The light is positioned in the upper portion of the arms and a central downlight is included. This minimizes glare and reinvents the form.

Roll & Hill SOHO Showroom – Veil pendant
Roll & Hill SOHO Showroom – Cloud pendant
Roll & Hill SOHO Showroom – Humboldt pendant

I had a nice conversation with the people at the Roll & Hill SOHO showroom. They showed me the new Veil group, which uses a ribbed porcelain panel to surround a white diffuser for the light source. This delivers a very comfortable ambience. I’ve seen an increase in porcelain lately, but the flat panel is new to me. The Cloud collection uses a scalloped glass diffuser that emotes a warm glow that matches the antique brass metal. The last new piece is the Humboldt pendant, an oversized turned wood “cap” sits over a glass diffuser. The wood is beautiful and the pieces size up to 16” in diameter, so they are a very dominant statement. All three designs are a nice addition to this important American manufacturer.

https://www.rollandhill.com/?srsltid=AfmBOoq32v2b1jBrjXB8acBCsMaKNbFMrnPQiBiFpjIHoF1CZeOnWpix

ICFF 2026 Pablo – Pantaya pendant
ICFF 2026 Pablo – Pantaya sconce
ICFF 2026 Pablo – New pendant

On the ICFF floor, I always look forward to the new Pablo pieces and I was especially pleased with the new Pantaya collection. The shade is 3D knitted polyester, suspended by material that looks like a canvas “belt.” The LED is wrapped around the perimeter of the shade. Also interesting was a pin dot perforated shade pendant, where the shade can be intentionally “tipped” to push light in a specific direction. What I especially liked were the muted earth colors used. They fit in nicely with some of the other displays and I hope to see increased use of this comfortable palette of tones.

https://www.pablodesigns.com

ICFF 2026 – Ridezign lamps

To prove my point about the color, a smaller Brooklyn design company, Ridezign was showing a collection of small lamps in related soft earth colors as the Pablo shades. Not only are the colors nice, but the cube-based lamps were fun and interesting.

https://ridezign.co

ICFF 2026 – A-N-D Pebble pendants
ICFF 2026 – A-N-D Tier linear pendants

Canadian lighting company A-N-D always shows interesting takes on contemporary lighting. Their display of a band of Pebble pendants allowed you to notice the soft etched warm smoke glass and the yoyo-like cable mounting. The display invited touching, as so many people around me reached for the light. At the other end of their display was Tier, a metal extrusion that hovered over the top of a rail of light, thereby providing a beautiful bounce of light in a much more sterile look. It was nice to see this diversity of style in a product line.

https://a-n-d.com

ICFF 2026 – Norska linear pendants
ICFF 2026 – Norska pendants

I don’t think I have ever run across Norska lighting before. They are based in the US, but heavily influenced by Scandinavia. It was hard to resist the rich, tactile carved wood used on their products. This is a beautiful piece of nature, expertly sculpted.

ICFF 2026 – Hollis + Morris Beaufort linear pendants

Hollis + Morris employed wood in their new Beaufort group of pendants. By combining half-round profiles they could aim light in multiple directions from the same unit.

https://hollisandmorris.com/?srsltid=AfmBOoo_aA56y0J48vhsEt6rsEKESQGXl1Ya1fzg8e_Z7j0CQc-yS-OD

ICFF 2026 – Hyland Glass

Of course, it would be a glass company that brings bold colors into luminaire glass. Hyland Glass did that in spades, at the show. I’m ready for a little color! How about you?

https://shop.hylandglass.com

Coil + Drift
Coil + Drift

The Coil + Drift pieces shown in their booth were primarily based on a folded oval metal diffuser that shielded the harsh light. Fashioned after a tree that is upside-down, the folded “leaves” could be the same color or a multitude of finishes that reminded me of autumn. The sconce, consisting of a single pinched diffuser was especially nice in size and light delivery.

https://coilanddrift.com/?srsltid=AfmBOor3bAa3uq479Kn7-2PqA5acncqY38324sP0K2pIUBTYu6W1ejqT

Maker Hazel – The Bean

The Bean is a cute little table/bed lamp made by Maker Hazel. Almost like a spaceship that landed in 1960 and stuck around to witness the mid-century revival combined with the LED revolution in light. A nice combination.

https://www.makerhazel.com

H. Isle – Pico desk lamp

Why not leather lighting? French lighting manufacturer H. Isle, showed Pico, a lamp grouping with a sewn leather diffuser that attracted a lot of attention. It had a nice shape and felt rich and warm.

https://hisle.fr/en/?srsltid=AfmBOorTwdEP5t0rU4Vd25xtBE3l8SjIZ-ujC02G7PlZqhY8QpCOn-6b

I have a lot of questions about Sundial Wire. They manufacture cloth covered wire for lighting products. On the surface, that is ok, but how does this comport with UL? Yes, the colors are nice, but do we invalidate the safety certification when we rewire? (The answer is yes.) If this is intended for homeowners who elect to do this on their own, everything is fine. Everyone has the right to rewire their own lamp and if it catches fire or causes a short, it is on them. How does a designer use this? I’d be very cautious.

https://sundialwire.com/?srsltid=AfmBOorJPTc62To218lrSRhT8rJZ02Iv-FClR-_MwTe0P4D1KNATIhwD

I’m sad to see an independent show that has provided so much value to me, disappear. I also understand the reality of trade shows and know they are dinosaurs. More become extinct every year. I hope the combination of guests at BDNY and ICFF will prop-up both shows so people like me will get the benefit for a few more years. I know the concept no longer works for so many, but I still like the hunt and still enjoy seeing and feeling “the next big thing.” ‘Til 2027.

In two weeks, my report will continue with information on all things, not-lighting.

Categories
Lighting Commentary

ICFF & NY 2024 – The Lighting Report

The “infamous” NY Times Square Hot Dog art installation, moments prior to its noon daily explosion

Early in the development of LED I realized that light would no longer be in the sole possession of luminaire creators and lighting designers. LED made it easy for non-lighting entities to confiscate the responsibility. Cabinet manufacturers and cabinet accessory providers offered built-in lighting. Plug-molding concerns included light in their strips. Bathroom mirrors build light directly into the mirrors and supported cabinets. Bluetooth speakers included light and light became an accent on a variety of other products. LED meant light would be embraced and in some cases abused by other concerns trying to sell their consumer goods.

At the International Contemporary Furniture Fair (ICFF) 2024 and in my visits to showrooms, galleries and storefronts across New York, this blurring of lines between lighting and “other” products was stronger than ever. Sustainability remains top of mind as well. No survey of new lighting would be complete without the recognition of exciting new designs. Following, those categories are explored and detailed.

Light + [fill-in the blank]

ICFF 2024 – Leon “Sound Sconce”

High quality musical sound continues to be an important aspect of homes. Many people are however, uncomfortable with the visual presentation of speakers. Speaker manufacturers have spent countless dollars improving the appearance of their product. Others have tried to find ways to hide the speaker in walls, ceilings, behind drywall and inside cabinetry. Leon builds speakers in the US and hides the functional tools behind custom screens that masquerade as artwork. They have also created a “Sound Sconce” that adds light to a wall mounted speaker. These were a nice combinations of dimmable light surrounding the linen needed to transmit sound built within a solid cast unit.

https://www.leonspeakers.com/

NY 2024 – Foscarini – Fleur
NY 2024 – Foscarini Intervallo

The new Foscarini lamp “Fleur” also wants to be a vase. The size makes it perfect for bedside, patio and restaurant use. The light plays against the tube of water and is directed downward to avoid glare.

“Intervallo,” also by Foscarini takes a fine porcelain bas relief sculpture of Madonna and Child and frames it with strips of light giving and depth to this familiar shape. In the past, light wanted to be art, now art want to be light.

https://www.foscarini.com/en/product-category/concetto-en/intervallo-concetto-en/

NY 2024 – Artemide Bonita

Similar to “Fleur” Artemide has developed “Bonita” as a collection of plates, bowls and bases that can also be illuminated as a lamp. The idea here is to keep a cohesive look at table settings with a mix and match approach.

https://www.artemide.com/en/subfamily/4746403/bonta

ICFF 2024 – Arca “Woowood” panels

This one is more complicated to explain. Arca has developed a flexible wood skin “Woowood” that “stretches” and allows light, positioned behind, to shine through. Woowood has been placed on the surface of cabinetry and walls, Slits in the material serve as pockets. The material, combined with the backlighting provides a look I’m not sure I’ve ever seen before. It was truly unique.

https://arcaebenisterie.com/en/

The line between art and lighting is increasingly being blurred, especially since the introduction of LED. LED can be hid in the smallest of spaces and used to supplement rather than undermine the work. Umbra & Lux allows light to play amongst the mobiles they designed. Who says a chandelier must be stationary? Why not a kinetic luminaire?

https://www.umbraluxstudio.com/

Sustainable Lighting

ICFF 2024 – Gantri pendants

Gantri showed a row of pendants fabricated from a plant-based polymer. What made them interesting were the designs. They were a cut above the typically offered “sustainable” products. In conversation with the staff, they told me they prided themselves on their relationship with their designers. The biodegradable product is 3-D printed in California and customization is available. There are lots of interesting things to see here. I encourage you to scan their website.

https://www.gantri.com/

ICFF 2024 – MushLume

Taking a similar plant-based approach, MushLume actually grows their shades with a combination of live mycelium and sustainable hemp. The shade grows within a mold and binds to the hemp to create a solid form. Once grown, shades are dried and heated into a fully biodegradable product. These are a good look that will fit nicely into the shift toward beige neutrals we are now experiencing.

https://mushlumelighting.com/

Simply Interesting Lighting

NY 2024 – New soft contemporary pendant
NY 2024 – Roll & Hill – Well formed metal accents

The new Roll & Hill items are neo-classic pendants that slip away, ever so slightly from their core soft contemporary design motifs. Round and Tulip shaped in smooth, ribbed and crosscut surfaces in White, Smoke or Champagne finished glass. What sets these apart are the subtle metal accents that nicely compliment the glassware.

https://www.rollandhill.com/

NY 2024 – The Original BTC Alma Collection

The window of The Original BTC featured the new Alma collection with a pin dot accented bone china shade. While it is a striking look, I wonder if it is a bit too dated retro feel. Much of this style has already passed us. I’ll be watching the closeout section to see if I’m right here.

NY 2024 – Flos Gino Sarfatti all white chandelier

The front window of the Flos showroom is filled with an all-white, bare bones (light bulb + carrier) chandelier by Gino Safatti. When I saw it, I again wondered if this type of look had already run its course. As I checked the website to insert a URL, I found the group already discounted 20%. Not a good sign.

https://flos.com/en/us/

ICFF 2024 – Umage Asteria collection

I loved the proportions of the Umage Asteria collection. A large diameter, but thin depth balances on small center column that passes through to form a finial. There are many colors and many configurations all using the same basic profile.

ICFF 2024 – Molo – honeycomb room dividers and cloud pendants

Molo has been at ICFF for many years showing their corrugated space partitions. These are beautiful honeycomb forms that sinuously wrap around and provide acoustical assistance to the created space. Using some of the same material, a collection of ethereal “cloud” pendants have been created. Like the walls, they are large, but appear surprisingly light and airy.

https://molodesign.com/collections/lighting/

ICFF 2024 – Juniper alternate “X” track connection with illumination on the underside of the track illuminating the second track
ICFF 2024 – Juniper illuminated track

Since first seeing Juniper, I have liked this brand of track lighting. The ribbon track is quite small, the magnetic element makes positioning easy and the design is top notch. This year, they have added a few additions that make employing their product much more creative. By adding light to the track, a whole new aspect of illumination is possible. Raised track sections can defy the typical “cross” installation and raised, illuminated ends allow for the addition of some whimsy. Yes, I’m a fan.

New for Pablo this year is the Stella design whereby LED is backlit on a crosshatched shade members, much like the Skynest by Flos introduced last year. Playing with the placement of LED has allowed designers to create very interesting objects.

https://www.pablodesigns.com/

ICFF 2024 – Nightside – shade removed exposing the LED and magnifying elements hidden inside

Why not a better bedside lamp? So many lamps ignore the fact that a sleeping partner might not want the area illuminated. Many lighting designers forget that two people have two needs. The folks at Nightside have solved that problem, much like cross-lit recessed cans. The unassuming lamp features a “pop-up” reflector that allows for a pointed, unobtrusive beam of light aimed by the reader and unseen by the partner. These US made lamps consume a miniscule one-watt of energy with a clean, simple aesthetic.

https://nightside.com/

ICFF 2024 – Midgard Licht adjustable shade pendants

I loved the simple functionality of the swiveling lampshade on the Midgard Licht pendants and sconces. Light can be easily aimed in any direction with minimal effort, as the shade balances on a rounded carrier.

https://midgard.com/

ICFF 2024 – Bright Block Studio

I liked the assortment of shapes and textures on the diffusers of Bright Block Studio glass. By reprocessing glass blocks they create custom output that is beautiful and usable, rather than landfill.

https://brightblockstudio.com/

ICFF 2024 – d’Armes “cool blue” display

d’Armes a Quebec based manufacturer,must be given points for display creativity. Rather than trying to show all of everything they do, they elected to finish everything in their booth in the same lush blue glossy color. Because their work is available in multiple iterations, why not simply draw attention with an elegant presentation?

https://darmes.ca/

ICFF 2024 – Tibo chandelier

Like d’Armes, Tibo is also based in Quebec but their approach to lighting is slightly different. The light modules look like they could be OLED panel placed artistically across carriers and frames. This is a very “feminine” soft look that is much needed in many interiors.

https://tibolighting.com/

ICFF 2024 – Ariel Zuckerman – crocheted pendants

By combining macramé with lighting, Ariel Zuckerman has developed a softer, more approachable contemporary. The dropped lights reminded me of an overstuffed crocheted shopping bag used by the Eastern European bubbas of my youth. Admittedly, this is a niche product and I’m not so sure I like them, but they are different and they do speak to the softening of contemporary style.

https://www.ariel-design.com/

I like the blending of clean slats of aluminum, organic, geological décor and the raw glass diffusers used by Simon Johns. The glass is fired in a way to make it appear as still molten. The warmth against the polished metal is very appealing.

https://simonjohns.com/

NY 2024 – Visual Comfort showroom under construction on Wooster Street in SOHO

During my walk through SOHO, I noticed work continuing on the Visual Comfort showroom on Wooster. This appears to be a reversal of the trend toward more online, less brick & mortar in the lighting business. It also upsets the retail distributor model to fit more in line with what the European and boutique brands are doing. (Roll & Hill, Flos, Artemide, etc.) It will be interesting to see how this works out for a major US lighting distributor.

As you can see, lighting is alive and well. The availability of exciting ideas continues to flow from the minds of creative people and companies. In addition, aesthetic trends are coalescing around a softer, more approachable contemporary look. All of this is good news as lighting continues ever-changing and maturing.